CD: Slaves - Acts of Fear And Love

Kentish punks tread water with their third

share this article

Slaves' third goes back to the punk ghetto

When Kentish hardcore punk two-piece, Slaves emerged with their debut album, Are You Satisfied?, they caused quite a stir with lairy tunes of austerity Britain like “The Hunter”, “Sockets” and the magnificent “Hey”. Since the heady days of 2015, however, they seem to have been somewhat stuck in the musical doldrums, in need of something to reinvigorate their sound. 2016’s follow-up album, Take Control, had great tunes like “Rich Man” and “Consume Or Be Consumed” but proved to be a set to cherry pick rather than cherish. And so, it continues to be with Acts Of Fear And Love.

Isaac Holman’s Ian Dury-cum-Madness-flavoured lyrics of social observation married to Laurie Vincent’s spikey punk rock guitar and a pounding beat still provide the meat of Slaves’ sound, and on tunes like “Artificial Intelligence” and “Bugs”, it’s pretty thrilling stuff. But there’s still a feeling that the duo they might consider bringing others into the fold to freshen things up.

That said, lyrically Slaves have plenty to say on Acts Of Fear And Love. “Daddy” is an entertaining tale of a man in a mid-life crisis, trying out “things he wished he did back when he was a kid” and “Magnolia” is a call to stop following the herd and do your own thing. “The Lives They Wish They Had” takes a swipe at people who spend their time projecting a somewhat “enhanced” life on social media. However, while their tales are sharp, Slaves’ performance frequently apes Sham 69’s Chas and Dave-style punk rather than anything with a real sense of menace.

On previous album, Take Control, Slaves looked like they might be opening themselves up a bit and even managed to get former Beastie Boy Mike D involved. However, Acts Of Fear And Love sees them back in the punk ghetto. It just has to be hoped that they’ll be brave enough to add to their sonic pallet next time around.

While their tales are sharp, Slaves’ performance frequently apes Sham 69’s Chas and Dave-style punk

rating

3

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time