CD: Take That - Progressed

Impressive expansion of last year's Number One album

share this article

From 'Progress' to 'Progressed': Take That have made the transition from ape to homo sapiens in record time

Following in the stilettoed footsteps of Lady Gaga’s extended-play reissue of her platinum-selling The Fame, Take That’s Progressed is a two-disc repackaging of the November 2010 Progress album featuring eight additional tracks. With its menacing disco beats and penetrating falsetto vocals, it is an evolution to be proud of.

Released to coincide with the band’s first tour with Robbie Williams since 1995, the eight new songs are a happy extended narrative of Progress which acknowledges the well-publicised falling outs, carefully mixed in with a hefty dollop of science fiction. Not a combination you might stomach on paper, but it works surprisingly well.

The electronic pop sound perfected for Progress is delightfully in evidence again thanks to producer Stuart Price. The only exception being the first track, “When We Were Young”, the nostalgic melody of which, despite having Robbie on lead vocals, strongly harks back to the two albums the others did without him. The synthesised pounding of “Love Love”, the official X-Men: First Class single, sung by Gary Barlow and Mark Owen, is infectiously catchy. Judging by the thumping enthusiasm I saw for it at the live show the other day, the jumping might well be the reason Take That’s showstopping prop, Om, a 60ft robotic man, reportedly broke down during a rendition of it on the Manchester leg of the tour last week.

House influences that are reminiscent of the Pet Shop Boys – currently their support act on tour - feature prominently. Enjoyably cheesy is “Don’t Say Goodbye”, with Barlow’s romantic warbling one for the knicker-throwing females. The new tracks might not have the right-between-the-eyes precision of “The Flood” or “Kidz”, but they are certainly not a selection of dodgy B-sides. Take That have made the transition from ape to homo sapiens in record time. It will be interesting to see where evolution takes them next.

Listen to 'Don't Say Goodbye'

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time