CD: They Might Be Giants - Nanobots

Pop geeks make fun album for the whole family

share this article

TMBG: pop facts

Over here, They Might Be Giants are mainly known for the insanely catchy “Birdhouse in My Soul”. There's also a general assumption that it's their only hit, and a suspicion that they're, probably, Canadian. In fact, TMBG are a Brooklyn-based band centred around founders John Flansburgh and John Linnell. A long and often successful career in the States has included several children's albums and even the theme for the sitcom Malcolm in the Middle. The latter won them a Grammy. Nanobots is their 16th album and, quite consciously, looks back over their 21 years in pop.

Impressively, it does so – for the most part, at least - without becoming irritating. The New Yorkers have produced 45 minutes of quirky pop, much of which transports the listener to a world of childlike delight. The album was produced by Partrick Dillett who has worked with David Byrne, and a Byrne-like sense naïvety combined with intelligence frequently rises to the surface. There’s even a bit of political satire on the song “Black Ops”. Don’t be fooled, however - the overall feel of the album is best captured by the promo for the title track, which features cartoon mice making tiny robots (see below)

Three wonderfully-crafted examples of power-pop glue the album together. These are “You’re on Fire”, “Stone Cold Coup d’Etat” and “Tesla". The latter is not only a gorgeous song but a surprisingly pithy summary of the life of scientist Nikola Tesla. The overall finish of the LP is spoiled, however, by an overabundance of short, incomplete musical ideas, many of which sound like rejected jingles for Sesame Street. The second half contains no fewer than seven songs under a minute long and they all really belong elsewhere. For the most part, however, They Might Be Giants have created something almost unique: a genuinely entertaining family pop album.

Watch the video for "Nanobots"

They have produced 45 minutes of quirky pop, much of which transports the listener to a world of childlike delight

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time