CD: Tove Lo - Sunshine Kitty

Forthright relationship-centred lyricism combined with elegant electronic pop to winning effect

share this article

Kitty looks like her tummy's been tickled

Swedish singer Tove Lo appeared at a time when female physical sexuality was being used as a raw, blunt weapon in pop, when porno chic reached an apex in music videos. Half a decade ago was the time of Nicki Minaj’s “Anaconda” and Miley Cyrus’s “Wrecking Ball”, thus Lo’s overt displays of sexual bravado seemed part of the same and she had big hits with songs such as “Habits (Stay High)” and “Talking Body”.  Her output since, however, has proved her sensual agenda to be more than a passing foible.

The bisexual Lo has pushed for a more emancipated Scandinavian attitude to sex. Her last album, Blue Lips, was unequivocal in the language it used to detail a gritty, destructive lesbian relationship, hewn from pure lust. It didn’t attain the success of its predecessors, boding the question as to whether this was down to its uncensored step away from the usual pop archetypes.

Lo’s fourth album is less ruthlessly one-track and, with appearances from Kylie and dance-pop titan Jax Jones, the forces behind her clearly hope for a better response. It deserves success. Its elegant, sheeny, stately electronic pop has more in common with Röyksopp’s work with Robyn than daytime radio cheese. Lyrically, it’s also more intriguing than most of her pop peers, with songs about sisterhood in the face of a rubbish boyfriend (“Glad He’s Gone”), seeing an old lover with a new one at a party (“Really Don’t Like U” –the Kylie collaboration), and the self-explanatory song about a summer fling with a girl (“Bad as the Boys” – an exquisitely catchy track). And her lyrics still sometimes cut straight to the nub of the matter (“Did you go down on his birthday?/Did you let him leave a necklace?”)

With the exception of the pulsing Jax Jones pair-up, “Jacques”, the pace is more groove than dancefloor, but there’s real song craft here. It’s persuasively hooky, matching her attitude to fine 2019 synth-pop, as on the outstanding, woozy downtempo number “Shifted”. Tove Lo’s latest has a maturity of tone to it but, happily, this is firmly riveted to an album that’s thoroughly contagious.

Below: Watch the video for "Glad He's Gone" by Tove Lo

Elegant, sheeny, stately electronic pop that has more in common with Röyksopp’s work with Robyn than daytime radio cheese

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time