CD: The Underground Youth – Montage Images of Lust and Fear

Craig Dyer’s Berlin exiles ramp up the gothic blues

share this article

Montage images of Lust and Fear: a change of tack

As Nick Cave has edged ever further towards mainstream acceptance with each of his recent Bad Seeds’ albums, so he has created something of a gothic-blues vacuum that is itching to be filled. This hasn’t gone unnoticed by The Underground Youth. Hence, while the band’s previous releases have had something of a tinge of Spacemen 3-like psychedelic drone rock, new disc Montage Images of Lust and Fear changes tack completely and comes on like a tribute to The Birthday Party and the early albums of Nick Cave and the Bad Seeds.

The album opens with the down tempo “Sin”, with Craig Dyer intoning “I’ll come back for your love”, while his wife, Olya lays down a plodding beat, before jacking things up a bit for the more lively, “I Can’t Resist” and strutting rockabilly of “Blind II”. However, it’s on recent single, “The Death of the Author” where the Cave-isms are so obvious that the listener might be mistaken for thinking that the track is some lost Birthday Party tune. The bass starts up, glass smashes and Dyer howls through a tale of finding himself where “I haven’t even got the corn to refill this drink” while watching the author of the title drink himself into oblivion in a bar and then get stabbed to death while stumbling home. The song might be a bit Nick Cave-by-numbers but it is nevertheless fine stuff and will nudge many listeners into wishing that Cave was still turning out these kind of tunes.

Indeed, Montage Images of Lust and Fear might be a fairly transparent tribute to Nick Cave’s early sound and lyricism, but with the man himself about to set out on a fan-friendly questions and answers, punctuated by a few tunes played solo on a piano tour around the UK, there is surely a vacancy in the musical firmament and The Underground Youth fill it very comfortably.

On recent single, “The Death of the Author” the Cave-isms are so obvious that the listener might be mistaken for thinking that the track is some lost Birthday Party tune

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time