The Last Dinner Party's 'From the Pyre' is as enjoyable as it is over-the-top

Musically sophisticated five-piece ramp up the excesses but remain contagiously pop

share this article

Always lots going on with this lot

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness, classical composition, private education, master’s degrees in music? No? Might as well stop reading then. That’s where they’re from. Let's have a valid debate somewhere else about the arts shutting out those with less money. Right now, though, The Last Dinner Party are fab live, look great, and, in From the Pyre, deliver a worthy follow-up to their vibrant debut.

They’re preposterous, of course, but wonderfully so, their music Chantilly-laced through with the excesses of Sparks and Queen. But they’re no pastiche. They bring their own Bat For Lashes-meets-Kate Bush extravagance to the party. That, alongside strident musical skill and an ambition that struts to the borders of prog but is too pop-baroque to cross. Indeed, From the Pyre is even more over-the-top than its predecessor.

Where "Nothing Matters" was the whopper from Prelude to Ecstasy, the lead single and stand-out singalong this time is the Bobbie Gentry-murder-blues pomp of “This is the Killer Speaking”. Other big bold ones include the rockin’ “Agnus Dei” (“Here comes the apocalypse/And I can’t get enough of it”) and the operatic honky-tonk of “Inferno” (I’m watching The Real Housewives/And crawling up the walls”).

Throughout, Emily Roberts plays guitar to match any Seventies fret-wrangling hero, but the five-piece aren’t overconcerned with off-the-shelf riffs’n’tunes. From the piano-led, gnomic, lost love paean “Sail Away” to “Count the Ways”, in which singer Abigail Morris channels a mad-woman-in-the-attic while her band become Electric Light Orchestra, the album leaps entertainingly all over the place.

Sometimes their excesses miss the mark, as on the choral overdrive of “Woman is a Tree”, but mostly, as theatrical and overboard as it is, From the Pyre is pumped full of catchy bits, literary show-off lyrics, vamping melodrama, and instrumental originality. Unbeholden to the usual, it’s both outrageous and a breath of fresh air.

Below: Watch the video for "This is the Killer Speaking" by The Last Dinner Party

Struts to the borders of prog but is too pop-baroque to cross

rating

4

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time