The King is Dead, BBC Three

Bad enough to make you want to snuff out an entire channel

share this article

Katy Wix, Simon Bird and Nick Mohammed can't manage a smile either

It's not that I feel like a middle-aged fuddy duddy exactly - although I was even almost too old for The Word and I'm clearly not the target audience for BBC Three. But if I were still in the 16-34 age group - even at its most juvenile end - frankly I’d be insulted by a show like The King is Dead. Is it a valid criticism of a BBC Three show to call it puerile? Perhaps not, but unfunny is unfunny.

Created, written and produced by Simon Bird, which must be some sort of reward for starring in the Bafta-winning (and genuinely funny) E4 sitcom The Inbetweeners, The King is Dead comes in that by now dog-tired ‘comedy panel show’ format – the variety where the guests are celebrity stooges hand-picked to smile as they are humiliated by some upstart stripling with unwarranted notions that he is the next Simon Amstell. I hope they were well paid for their services.

“Three bargain-bucket celebrities even pantos won’t touch... one of these pricks is going to be Father Christmas” is how TV ghost-hunter Derek Acorah (Living's Most Haunted), former Fun Lovin’ Criminal Huey Morgan and Nathan Stewart-Jarrett from Misfits (another successful E4 youth show – why don’t BBC Three leave it to the commercial opposition?) were wittily introduced by Bird’s MC. Why Father Christmas? Well, the premise of the show is that a well-known individual is killed off, and the celebrity guests must then compete to replace him. It was enough to make Eight out of Ten Cats seem unlaboured.

Bird’s accomplices were Katy Wix (Not Going Out) and Nick Mohammed (one of the yes men in the retooled Reggie Perrin) – Wix here playing Mrs Christmas, wife of Santa, Mohammed being dressed as an elf. I could go on to describe the various rounds, but that would risk the life draining out of me once again. Huey Morgan displayed the only signs of spontaneous wit - the native New York variety, so you could say that he wasn't even trying.

Acorah struggled to finish his sentences, let alone find anything funny to say (perhaps he was waiting for an intervention from the other side), and Stewart-Jarrett looked like he couldn’t wait to get back to the set of Misfits. Me? I was so annoyed by the experience that it had me snapping biliously for the immediate destruction of an entire TV channel. Hey, BBC Three, if you can't do better than this (or the only slightly less mirth-free Him and Her), then leave those kids alone.

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more tv

You can fool all the people some of the time, and some of the people all the time...
Harlan Coben thriller does what it says on the tin
Second series of CIA drama ratchets up the pressure
A cancer operation is just one of the trials ahead for Diddly Squat in a moving new season
The 'Bergerac' star discusses his detective skills, playing troubled men and taking on his first theatre role after a nine-year hiatus
Friendships tested to destruction in Catherine Shepherd's satirical drama
Steve Coogan and Tom Burke lead a formidable cast in Neil Forsyth's drama
Gripping three-part saga is smarter than the average pop-doc
The latest helping of the Jilly Cooper adaptation is much like the first: sparky, filthy fun
The Tony Award-winning star talks female power, sexism and becoming more Scottish with age
Sheridan Smith and Michael Sorcha prove a winning team in this unexpected treat