CD: Teddy Thompson - Bella

Five albums in, Teddy Thompson displays a new-found ring of confidence

share this article

Fifth time around, Teddy Thompson feels right at home
Fifth time around, Teddy Thompson feels right at home

It seems amazing that this is Thompson Junior's fifth album, and it's evidence that perseverance pays. Earlier in his career, Thompson radiated a sort of flaccid indecisiveness, but that has been replaced here by a quiet confidence, perhaps because he's coming to understand where his real strengths lie.

Maybe hanging around with his clever mates the Wainwrights filled his head with too many wacky chord progressions, but the fact is that Ted is no musical revolutionary. What he can boast is a classic folk-country pedigree, and the best songs here blend well-seasoned musical structures with lyrics that express a distinctive writer's viewpoint.

In fact, in "Over and Over", over a haunting string arrangement, he squares up to issues of low self-esteem and even self-loathing with bracing candour - “I make mistakes then I make them again”, “shit on myself so that no-one else can”. Happily, grim introspection is banished elsewhere by some glowing melodies and imaginative arrangements (box of chocolates for producer David Kahne.)

The opener, "Looking for a Girl", is a chunk of bouncy country-rock equipped with some wry couplets and a stinging electric guitar solo, while "I Feel" hails from the same point of the compass where you'll find the Hot Band and Rodney Crowell. The strident gurgling voice of Jenni Muldaur unfortunately renders "Tell Me What You Want" unlistenable, but Thompson finds space to emote in the strong, simple melody of "Take Care of Yourself". Best of the lot is "Home", where crafty strings and woodwinds provide an elegant foil for his droll narrative. Nice.

Watch Teddy Thompson sing "Looking for a Girl"

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time