CD: BOY - Mutual Friends

Awkwardly-named girl-duo plot the soundtrack to your summer

share this article

Infectious hooks and rapturous harmonies: BOY

There seems to be a perverse trend among bands these days to give themselves names that render them near-invisible to the modern search engine. Hot on the heels of US boy duo Girls comes BOY, a pair of Hamburg-based female voices whose infectious hooks and rapturous harmonies have already caused a bit of a stir in their native Germany and Switzerland – as well as on YouTube, to the tune of about four and a half million views.

The duo take on harmonious ground already well-tread by the likes of First Aid Kit and American sister duo the Pierces, infusing it with unexpected instrumental twists at the hands of friends like Phoenix drummer Thomas Hedlund and found sounds like broken glass. Described as an "autobiographical affair", the album is a loose twelve-track cycle about the girls' own friendship.

As if to challenge their uncomplicated setup the duo run the range of musical styles from the opening dark, breathy "This Is the Beginning" to the folky road music of "Drive Darling". "Little Numbers", the above-mentioned YouTube sensation, is a bombastic pop tune full of hand-claps and woah-oah-oahs and is reminiscent of Feist at her most contagious, and "Oh Boy" happily skips its way onto everybody's summer drivetime mixed tape.

But for all the lightheartedness the band can do serious too: on "Boris", clattering drums and a cleverly-used string section recreate the ominous, claustrophobic man-cave of the sexual harasser; and shivering, beautiful album closer "July" features warm lyrical twists to rival the greatest of country torch singers. While the darkness never lasts long it's clear that this is a smart, quirky album you really ought to get your hands on before it is deservedly played to death in every coffee shop and on every half-creative advertising campaign this summer.

Check out the "Little Numbers" video below


This is a smart, quirky album you really ought to get your hands on

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time