CD: The Moonlandingz - Interplanetary Class Classics

Yoko Ono guests on wearisome Eccentronic Research Council spin off

share this article

The Moonlandingz's 'Interplanetary Class Classics': defined by hubris

Musically, Interplanetary Class Classics breaks no new ground. Opening cut “Vessels” could be by the KLF and kicks off with Glitter Band drums, a Chicory Tip stomp and has robot-like declamatory vocals: what critically favoured Nineties band Earl Brutus perfected. It’s followed by “Sweet Saturn Mine”, a swirling confection with Broadcast synths, motorik percussion and more of those mannered vocals. Next up is “Black Hanz”, a herky-jerk Krautrock/Black Angels construct with a – them again – KLF-type narration section. After this, “I.D.S.”, which could pass for a Sigue Sigue Sputnik outtake. And so on for another seven knowing, pop-eats-itself tracks.

The Moonlandingz certainly know what they are doing. They ought to. This is not a band as such but an offshoot project from the Eccentronic Research Council, who invented them for their last album. Now, ERC’s Adrian Flanagan and Dean Honer have roped in Fat White Family’s Saul Adamczewski and Lias Saoudi to create The Moonlandingz as a not-quite band. Interplanetary Class Classics was recorded at Sean Lennon’s East Coast US Studio. Yoko Ono is on album closer “This Cities Undone” (sic). Jarvis Cocker, The Human League’s Phil Oakey and Slow Club’s Rebecca Taylor are here too. So, more bizarrely, is The Village People’s resident cowboy Randy Jones. “Every man’s got a glory hole” declare the look-at-me lyrics of the song on which he appears.

Interplanetary Class Classics is, indeed, knowing. As well being arch, clever and doing what it sets out to do, it is also terrifically smug. The band describe "Black Hanz” as “represent[ing] the soundings off of one Johnny Rocket [i.e. Saoudi], dutiful masochist and world ranking narcissist. You can't beat small mindedness into a man that revels in the fact that he is a shell of his future self, you cannot un-polish a turd!!" The PR material shouts that the album features “YOKO fucking ONO.” If Interplanetary Class Classics had been presented to the world straight and without the hubris, it could have been entertaining. Instead, it is tiresome.

As well being arch, clever and doing what it sets out to do, 'Interplanetary Class Classics' is also terrifically smug

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time