CD: Lucy Rose - Something's Changing

Music that manages to embody the spirit of travel and the importance of shared experience

share this article

The whimsical and melodic sound of Lucy Rose

Lucy Rose is not mainstream. She doesn't rely on commercial record deals to the point that she essentially crowd-sourced her recent tour of Latin America, playing for fans for free as long as they hosted her. It was an experience that spawned this album, documented most clearly in “Find Myself”, in which the 28-year-old sings "'Cause you helped me find myself… Find myself within your old dreams".

For Something's Coming, she has joined forces with Communion, an independent label with a knack for digging gems, often those which refuse to conform, out of the industry – and it's a match made in heaven. The tracks are less poppy than Lucy's previous albums. “Moirai” is a folk storysong about the Greek god in charge of peoples' fates. There’s echoes of Martha Wainwright’s melancholy in "Love Song”, where she sings "it was summer and the rain was at bay, you came like the storm that washed me away". It’s thoughtful, contemplative. Perfect festival fodder for those moments when the shadows are long (Lucy’s off to Latitude and Bestival later this season).

“Second Chance” is soul-searching and whimsically poetic, about the space between an Instagram moment and learning to love yourself. “Floral Dresses” and “No Good At All” are about family. They’re all simple in structure, full of those signature long, reverberating notes.

Beneath the veneer of cool riffs and hipster chic, there are songs that shift between being so moving I'm almost bought to tears – “Is This Called Home” is about the refugee crisis – and songs with impressive collaborators like The Staves, or Elena Tonra of Daughter, who co-sings “Soak It Up”, with silken, whispery harmonies and gentle drum brushes. Whether it's the spirit of travel, or a knack for what music means to different people, there is something more at play here than your average acoustic act on the festival circuit.

@Katiecolombus

Perfect festival fodder for those moments when the shadows are long

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time