CD: Man Duo - Orbit

Uneven electropop outing from Finnish twosome

share this article

Man Duo's 'Orbit': lift-off is not-quite achieved

True to their name, Finland’s Man Duo are male and there are two of them. The better-known half is former Helsinki tram driver Jaakko Eino Kalevi. Born Jaakko Savolainen – the Kalevi nods to his home country’s epic tale, The Kalevala – his long solo discography stretches back to 2001. That year, he made a collaborative single with Sami Toroi, who traded as Long-Sam. Following a 2012 album credited to Jaakko Eino Kalevi & Long-Sam they’re back, but as Man Duo.

Orbit isn’t going to upset those familiar with Kalevi’s most recent, internationally issued, releases. On these, he’s taken a walking, electro-soul backbeat akin to that of Michael Jackson’s “Billie Jean” and fused it with instrumentation from the dawn of Eighties electropop (arcane analogue synths and manually programmable rhythm machines) to create a moody pop – if Ariel Pink loved smooth soul and had gone electropop, this would be the result. The approach carries through into Man Duo, but a new twist is evidence for a fascination with folky melodies, vocal harmonies and a more fragmented approach to how a song unfolds – all presumably traits derived from Toroi’s input. Orbit is not a Jaakko Eino Kalevi solo album billed under another name.

In practice, this means it's uneven. The opening track “One Formula” borrows from Computer World-era Kraftwerk while “Ile’s Dream” is bedded by a motorik rhythm and nods to Harmonia. The misty “The Middle” refracts the Pet Shop Boys, while “Unter Vier Augen” is an exercise in pulsing Balearic atmospherics. On its own, each track works fine but the album doesn’t cohere. Although they have rebranded themselves as a seemingly seamless unit, Kalevi and Toroi’s partnership feels more like a project than a band as such. Perhaps taking these songs out on the road and performing them before audiences before they were recorded may have helped bring a sense of unity.

'Orbit' is uneven: the album feels more like a project than one made by a band as such

rating

3

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time