Bake Off: The Professionals, Channel 4 review - farcical but fun

Contestants compete to see who can provoke maximum hyperbole

share this article

Food fight: from left, Tom Allen, Benoit Blin, Cherry Finden and Liam Charles

TV cooking shows are mostly a pain in the butt. Masterchef, featuring the thuggish Gregg Wallace and John Torode along with India Fisher’s excruciatingly arch voiceover, is enough to provoke a massed hunger strike. The BBC’s Great British Bake Off may have featured national treasure Mary Berry, but her Miss Marple-ish charm was undermined by the ostentatiously pointless Mel and Sue. Prue Leith should be running a Victorian workhouse rather than a cookery show.

And so to Channel 4’s version of Bake Off, which is at least eccentric and, in finest pastry-making style, lighter than air. The trick with this Bake Off is deciding which are wackier, the bizarre confections dreamed up by the panicking, palpitating chefs, or the judges. Or presenters Tom Allen and Liam Charles for that matter, employed solely to pose about and drop in the occasional condescending one-liner. Allen’s most memorable comment in this series two opener concerned some plump, heart-shaped confections, supposedly a “reimagining” of Red Velvet Cake. “Spin them round and they look like arses!” he observed, knowingly. “A lovely thing for the judges to see!”

As blaring musical extracts from Carmen and Peer Gynt turned the emotional atmosphere purple, six pairs of chefs had several culinary mountains to climb. They had to make 24 specimens of Linzer torte – “ze dangeurrr ees sweetness!” warned French judge Benoit Blin – and reinvent the Bakewell tart. It didn’t always go well. Poor Daisy, from cake-makers Ange de Sucre, burst into tears when judge-ette Cherish Finden told her “the cherry compote, I did not enjoy eating it at all!” Benoit played good cop: “Everybody’s got one bad day. Come on. Allez!”

However, if a chef could tickle Cherry’s palate, they might be rewarded with flights of delirium. “It’s a spoon of genius for me,” she swooned. “Poum! I lift myself up!”

In these perplexing times, it’s almost liberating to find people whose lives are wholly consumed by vanilla mousse and beetroot cremeux and creating edible tableaux of Little Red Riding Hood. Even the sky isn’t big enough to be the limit to the show’s absurd aspirations. As Cherry exhorted the quaking contestants, “It must be big! It must be bold! It must be beautiful!"

 

It’s almost liberating to find people whose lives are wholly consumed by creating edible tableaux of Little Red Riding Hood

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more tv

You can fool all the people some of the time, and some of the people all the time...
Harlan Coben thriller does what it says on the tin
Second series of CIA drama ratchets up the pressure
A cancer operation is just one of the trials ahead for Diddly Squat in a moving new season
The 'Bergerac' star discusses his detective skills, playing troubled men and taking on his first theatre role after a nine-year hiatus
Friendships tested to destruction in Catherine Shepherd's satirical drama
Steve Coogan and Tom Burke lead a formidable cast in Neil Forsyth's drama
Gripping three-part saga is smarter than the average pop-doc
The latest helping of the Jilly Cooper adaptation is much like the first: sparky, filthy fun
The Tony Award-winning star talks female power, sexism and becoming more Scottish with age
Sheridan Smith and Michael Sorcha prove a winning team in this unexpected treat