Bombay Bicycle Club, Cardiff University Students Union review - guitar pop, perfected

Indie darlings impress after a six year hiatus

share this article

No longer fresh-faced, but still fresh sounding

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were greeted in the Welsh capital like long-awaited saviours. No chorus was left unsung, no build-up left unclapped, and no breakdown unshimmied.

The band have perfected their show of power pop performed with pinpoint precision. They create an impressive wall of sound, built on counter rhythms and jangled guitars, supported by a striking lightshow that raises their big hits to higher heights. "Overdone" became a riff-driven spectacle, while "Feel" transformed from a Middle-Eastern groove to full-on samba. Newer tracks like "Eat, Sleep, Wake (Nothing But You)" and the luscious "Good Day" were warmly welcomed, but it's older songs like “Luna” and “Shuffle” that reached euphoria for the masses.

Halfway through, the band celebrated their debut album's ten-year anniversary by stripping things back. Gone were the backing musicians and colourful sets, playing through "Lamplight", "Cancel On Me" and "Evening / Morning" with the original raw intensity. This throwback highlighted how Bombay Bicycle Club have possibly the tightest rhythm section in British indie, always going the extra mile in complexity while staying perfectly lockstep. The band might not look as young as they did last decade, but their sound still carries the same exuberance.

The evening was top and tailed by Liz Lawrence, who performed both alongside the headliners and opened with a solo set. There’s more than a bit of David Byrne about her as she stands alone on stage, swaying in baggy clothes with a guitar and backing track. It takes a special talent to carry a venue that size, but Lawrence did it with aplomb thanks to genuine charm and highlights from her brilliant album “Pity Party”. She was followed by the irrepressible The Big Moon, swapping instruments and harmonies with terrifying efficiency. Boasting range from the Randy Newman-esque “Waves” to the massive “Your Light”, they completed a night of irresistible music.

@OwenRichards91

Bombay Bicycle Club have possibly the tightest rhythm section in British indie

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time