Album: Santana - Blessings and Miracles

Latin Jazz pioneer hampered by a surfeit of brilliant guests

share this article

'This is an album that’s unfortunately a little short on soul'

Some guitar sounds are instantly recognisable. Carlos Santana blazed a trail in the late 1960s, with incandescent licks that made him world famous. He has traded on that brand – as brand it inevitably is – for more than half a century.

He is in a way a prisoner of those trademark heart-warming, dream-provoking guitar flourishes, and yet he has also experimented and collaborated as few others of his generation. But paradoxically, this restless urge to work with many different people, and explore different genres has been his undoing. This new album starts with a “Santana Celebration”, complete with swirling Hammond B organ notes, and the timbales and congas that characterised the Latin Rock which he so excitingly pioneered. Irresistible stuff – though nothing new. The track is followed by an almost unbelievable series of guest spots with stars that range from Steve Winwood, on a surprisingly underwhelming cover of Procol Harum’s “A Whiter Shade of Pale”, and white rapper G-Eazy, to vocal stars such as Rob Thomas and Chris Stapleton.

There is certainly something for everyone here, and much to enjoy. There is a great deal of variety, and plenty of welcome changes of mood: from slow ballads to the fury of “Peace Power” that features Corey Glover of Living Colour in fine form. It’s all super-smoothly produced and performed by musicians. and singers at the top of their game, including two of Carlos’s very talented children, pianist Salvador and vocalist Stella. Kirk Hammett does his heavy metal thing superbly, and Ally Brooke delivers a silky ballad with great feeling, with sultry obligato from the great man. And yet, as with Supernatural (1999), Santana’s multi-million dollar world-wide success, there is a lack of personal signature or artistic coherence, not beyond the near-perfection of the guitarist's undeniable instrumental skill. Beyond a certain kind of excellence, this is an album that’s unfortunately a little short on soul, as if everything had been done very well but without the genuine risk-taking that characterises the best music. 

He is in a way a prisoner of those trademark heart-warming, dream provoking guitar flourishes

rating

3

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time