Ten years after his last album, Tiga is still living the 'Hotlife'

Canadian DJ, producer, remixer and label head returns with an order to dance

share this article

Taking a more direct route with Hotlife

It’s ten years since Tiga’s last solo album, the slightly tepid No Fantasy Required was released. So, it is something of a relief to discover that the Canadian DJ, producer, remixer and label head has taken a somewhat more direct route with his new disc, Hotlife.

In Tiga’s 2026, harsh and sleazy electro-clash tunes rub up against more minimalist techno-punk workouts in an album that reaches backwards as much as it pushes forward. So, while there are collaborations with contemporary fellow travellers like Boys Noize, Fcukers and Maara, there’s also a hypnotic reworking of INXS’ 1987 megahit “Need You Tonight” and a couple of tracks that seem to reimagine Soft Cell for dancefloors in 2026. One thing that’s clear with Hotlife though, is that Tiga has absolutely no wish to find one particular sound and then stick with it.

Hotlife is an album that ebbs and flows but pushes ever onwards. The “Hotwife” collaboration with Boys Noize is robotic and insistent with Daft Punk-ish vibes, while “High Rollers” adds an acid squelch to a gangster tale that Tiga delivers in a Grandmaster Melle Mel style. The insistent “I am your Detroit Sunrise” even goes full Plastikman and “Silk Scarf” blasts listeners with Euro catwalk techno that’s begging for a battering strobe light overload. However, the Soft Cell-flavoured “Friction”, which comes on like an even more urgent and hypnotic rerub of “Sex Dwarf” and “Sexless Pornographic Losers” with its “Memorabilia” vibe and Maara laying down some serious attitude, are magnificent highlights in a mountain of fine sounds that are emphatically not built for sitting things out but for moving feet and spinning heads.

For a man who once said that albums had become pointless, Tiga has put out something special with Hotlife. A collection of beats, grooves and loops that are just as contagious, mind-twisting and soul-shaking than any others intent on leading all-comers, Pied Piper-like, to a hot and sweaty dancefloor. 

Harsh and sleazy electro-clash tunes rub up against more minimalist techno-punk workouts in an album that reaches backwards as much as it pushes forward

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time