Angry Alan, Soho Theatre review - superb monologue about the rise of 'meninism'

Penelope Skinner probes the men's rights movement

share this article

Donald Sage Mackay is Roger, a regular guy who has been radicalised by Angry Alan
The Other Richard

Penelope Skinner's monologue was a critical and audience hit at last year's Edinburgh Fringe, when its talking point found its moment. Here is Roger, a divorced father who lives in Walnut Creek and has lost his senior management job at AT&T, drifting along in middle age, when he discovers Angry Alan, his online saviour. 

Angry Alan says that all men's problems, including Roger's, are caused by the gyno-centric world we live in, and men should start fighting back, citing "meninism" as the route. And while they're at it, why not donate to the Men's Rights Movement that Angry Alan has founded? Meninism is as daft as it sounds, but Skinner sensibly doesn't go for cheap shots. Sure, she has a lot of fun at Roger's expense – “My wife had post-natal depression, which was extremely challenging … for me” – but she also makes him likeable and entirely plausible, and in this she is helped by Donald Sage Mackay's assured performance.

Roger's possible salvation could come from not one but two women

Slowly she builds the narrative as Roger tells his story from the beginning of how he got himself into the mess he's in right now. His affability hides a heap of unresolved anger at his ex-wife – the mother of his teenage son, Joe, whom he barely sees – and his forced departure from the job he loved.

Skinner, who also directs, uses what she tells us are real clips taken from the online sites that Roger has been visiting. Vile and shocking though some of the things Roger parrots are – including lines about “false” rape allegations by women – in his mouth they have the air of a puppyishly keen student eager to please his teacher. He clearly hasn't stopped to consider the import of the words.

It's easy to see then how Roger, a voracious reader but not a deep thinker, swallows whole the nonsense spouted by Angry Alan – a Rush Limbaugh/Jordan Peterson/Alex Jones composite (and possibly any number more on the alt-Right lunatic fringe) who spew their bile, unabashed and unchallenged, online.

When Roger ill-advisedly combines a camping trip with Joe with attending a live Angry Alan seminar in Cincinnati that he can barely afford, an incident occurs that causes his life to unravel. But is there a chink of light when he meets his hero – “Maybe he's a little smaller than I thought” – with some small doubt that may have entered Roger's head?

Roger's possible salvation – only hinted at – could come from not one but two women, a nice comic touch in an hour that has lots of big laughs, but also moments of great poignancy in Mackay's superb performance. Skinner doesn't judge Roger, but allows us to wonder what other dangers lurk online that radicalised this nice bloke next door.

It's easy to see how Roger swallows whole the nonsense spouted by Angry Alan

rating

4

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more theatre

Lots of innovative ideas, but we need to hear the line readings clearly
Eurovision star Sam Ryder is made for the title role, while Drew McOnie’s choreography makes us feel the delirium
Chloë Moss’s new drama is a nerve-fraying example of telephonic tension
Carrie Cracknell’s splendid revival of Stoppard’s masterwork transfers with its magic intact
Transatlantic tensions are diffused through alcohol, sex, and the etiquette of hot dogs
New play about domestic abuse adopts a radical form that works - up to a point
Adrian Lester’s spiky, swaggering hero is the apex predator in this linguistic ecosystem
American playwright Rajiv Joseph’s account of Serbian political assassins really rocks
Michael Longhurst's intelligent directing wrings fresh laughs from a familiar setup
Small-scale film becomes major emotional experience as a stage musical
Martin Crimp’s sparkling latest revisits Molière and gives the play a gender twist