One theatre, five awards

The Critics' Circle favours the National at its annual chance to shower the stars with awards

share this article

James Corden in the Critics' Circle's best new play, Richard Bean's 'One Man, Two Guvnors'

When the London theatre critics gathered to hand out their annual awards at lunchtime today in person, a notable percentage of the gongs were carried off by the National Theatre. There was no surprise, for example, that the best new play was One Man, Two Guvnors by former winner Richard Bean; in a thin year for blockbuster musicals, it was perhaps no surprise either that the best new musical was London Road, a rare foray for the genre into seriousness which dramatised in song the murder of five sex workers in Ipswich.

The National also prospered with Frankenstein, which divided critics when it opened last year but has won best actor for Benedict Cumberbatch (trumping Jonny Lee Miller, the co-star with whom he swapped the two lead roles) and best designer for Mark Tildesley. Finally, Mike Leigh was named best director for his play Grief.

Among the other actors who came away with an award were Sheridan Smith for her performance in Flare Path, one of the hit productions of the Rattigan centenary, and Eddie Redmayne, whose Richard II was deemed the year’s best Shakespearean performance, beating the likes of David Tennant in Much Ado About Nothing and Michael Sheen in Hamlet.

  • Best New Play: One Man, Two Guvnors by Richard Bean (National Theatre)
  • The Peter Hepple Award for Best Musical (new or revival): London Road by Alecky Blythe & Adam Cork (National Theatre)
  • Best Actor: Benedict Cumberbatch in Frankenstein (National Theatre)
  • Best Actress: Sheridan Smith in Flare Path (Theatre Royal Haymarket)
  • The John and Wendy Trewin Award for Best Shakespearean Performance: Eddie Redmayne in Richard II (Donmar Warehouse)
  • Best Director: Mike Leigh for Grief (National  Theatre)
  • Best Designer: Mark Tildesley for Frankenstein (National Theatre)
  • Most Promising Playwright: Tom Wells, The Kitchen Sink (Bush Theatre)
  • The Jack Tinker Award for Most Promising Newcomer (other than a playwright):  Blanche McIntyre for Accolade and Foxfinder (Finborough Theatre)

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more theatre

Lots of innovative ideas, but we need to hear the line readings clearly
Eurovision star Sam Ryder is made for the title role, while Drew McOnie’s choreography makes us feel the delirium
Chloë Moss’s new drama is a nerve-fraying example of telephonic tension
Carrie Cracknell’s splendid revival of Stoppard’s masterwork transfers with its magic intact
Transatlantic tensions are diffused through alcohol, sex, and the etiquette of hot dogs
New play about domestic abuse adopts a radical form that works - up to a point
Adrian Lester’s spiky, swaggering hero is the apex predator in this linguistic ecosystem
American playwright Rajiv Joseph’s account of Serbian political assassins really rocks
Michael Longhurst's intelligent directing wrings fresh laughs from a familiar setup
Small-scale film becomes major emotional experience as a stage musical
Martin Crimp’s sparkling latest revisits Molière and gives the play a gender twist