Art Gallery: Guitar Heroes - Legendary Craftsmen from Italy to New York

Beautiful exhibits from the Metropolitan Museum of Art's instrumental overview

share this article

String theory: Detail of a guitar by James D'Aquisto
String theory: Detail of a guitar by James D'Aquisto
All images © Metropolitan Museum of Art, New York

From a guitar by Matteo Sellas dating back to Germany before 1630 to one made in New York by John Monteleone in 2008, the Metropolitan Museum of Art’s Guitar Heroes exhibition is will go down as the longest guitar solo slot in history. Including one of the four surviving models by Stradivari, it monitors the guitar’s development in Italy and the instrument’s migration across the Atlantic. Angelo Mannello, born in Italy, made the mandolins seen here in America. It is clear from this gallery, which includes a bespoke instrument made for Paul Simon, that the skill exhibited by the great guitarists is no less an attribute of the craftsmen who design and build the instruments they play.


  1. Matteo Sellas: Guitar, c 1630–50. Spruce, bone, parchment, snakewood, ivory (Metropolitan Museum of Art, New York)
  2. Antonio Stradivari: Guitar, "The Rawlins", 1700. Spruce, maple, ebony (National Music Museum, University of South Dakota, Vermilion)
  3. Guitar, c, 1800. Spruce, ebony, ivory, tortoiseshell (Metropolitan Museum of Art, New York)
  4. Angelo Mannello: Mandolins, c 1900. Spruce, tortoiseshell, ivory, metal (Metropolitan Museum of Art, New York)
  5. John D’Angelico: Detail, Archtop Guitar, Excel model, 1951. Spruce, maple, ebony, brass, celluloid, mother of pearl; sunburst finish (Private collection)
  6. John D’Angelico: Archtop Guitar, “Teardrop” New Yorker model, 1957. Spruce, maple, ebony, brass, celluloid, mother of pearl; sunburst finish, cutaway (Scott Chinery Collection)
  7. James D’Aquisto: Archtop Guitar, Oval-Hole New Yorker Special model, 1975. Spruce, maple, ebony, mother of pearl; sunburst finish (orange to red) (Paul Simon)
  8. James D’Aquisto: Archtop Guitar, Blue Centura Deluxe model, 1994. Spruce, maple, ebony; blue finish, cutaway (Scott Chinery Collection)
  9. John Monteleone: Archtop Guitar, Grand Artist Tri Port model, 1999. Spruce, maple, ebony, mother of pearl; blonde finish (Private collection)
  10. John Monteleone: Archtop Guitar, “Teardrop”, 2008. Spruce, maple, ebony, mother of pearl; blonde finish, cutaway (Private collection)

[bg|/ART/jasper_rees/Guitar_Heroes/]

rating

0

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more visual arts

Much-appreciated words of commendation from readers and the cultural community
Ritualistic performances and evocations of fertility goddesses
An inventive and uplifting programme of sculpture, live music, dance and spoken word
The mood is blue, but profundity is in short supply
A frieze of iPad pictures that sends you hurrying for the door