CD: Kylie Minogue - Kiss Me Once

Kylie jacks up her Rihanna factor with dismal results

Reinvention is the way of the 21st-century diva, cloaking in the latest bright sonic colours. Kylie, the Australian girl-next-door and occasional British national treasure, has a track record of trying on new styles to see if they fit and her career is sprinkled with a few diamonds as a result. This latest incarnation, however, her twelfth album, is a stylistic (if not actual) return to where she started, the vapid, candy-coated monstrosities of Stock, Aitken & Waterman, albeit updated to blank-eyed, uber-compressed, post-Rihanna EDM-pop du jour. In other words, it mostly sounds like Ellie Goulding’s “Burn”, which is not what anyone over 11 years old needs to hear. And those who respond, “Well, maybe it’s aimed at 11-year-olds,” should take a quick listen to the bass-tinted gym-porn electro of “Sexercise”.

The only half-decent tune is the Pharrell Williams-penned “I Was Gonna Cancel” which comes on like an electro-funky cousin to his work with Robin Thicke (ie, it’s far from the calibre of his or Kylie’s best). The rest dumps all the thrills dance music is capable of and replaces them with manic ertsatz suburban Saturday night banality, a fizz of BBC Radio 1 Auto-tune Hell, riding Hi-NRG beats – or “beatz”, as it creators would likely prefer – interspersed with wet ballads such as the album’s title track (“Me and you, we’ve got some lovin’ to do”) and the duet “Beautiful” with Enrique Iglesias, both of which recall her weedy recorded romance with Jason Donovan.

Kylie has changed management, joining Jay-Z’s Roc Nation empire, and clearly decided to amp up her modernity. It’s possible for an artist of her longevity to do this with style and verve. Madonna managed it brilliantly with Confessions on a Dancefloor and its lead single “Hung Up” when she was 47. Kylie has hauled in a who’s who of those able to deliver commercial success in 2014 – Pharrell, Sia Furler, MNEK and a global raft of production wizards – but the result is crass, forced and disappointing.

Overleaf: Watch the video for the single "Into The Blue"

Comments

Permalink
Your too funny...

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It mostly sounds like Ellie Goulding’s 'Burn', which is not what anyone over 11 years old needs to hear

rating

1

explore topics

share this article

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album