Jack White’s last couple of albums, Boarding House Reach from 2018 and Fear of the Dawn from April this year, were both driven by experimentalism, dipping into electronics, hip hop, noise and more. They were both, to differing degrees, admirable in intent, coming from an artist perceived as zealously retro, but they were also only partially successful.

Jiří Menzel's Larks on a String (Skřivánci na niti) was in production while Soviet tanks rumbled into Prague in August 1968. Predictably, the film was banned by the new Czechoslovak regime and it remained unreleased until 1990, though illicit video copies were circulating for several years before.

Many of her fans initially came across Filipino-born, London-raised singer Bea Laus – Beabadoobee – via the massive TikTok sensation “Death Bed (Coffee for Your Head)” by Canadian producer Powfu, which was centred on the extremely catchy chorus to her song “Coffee”.

“Arriving late at a performance… I looked up and saw what I thought was an actor having a seizure onstage,” the critic Pauline Kael wrote of watching Brando on Broadway in 1946. “I lowered my eyes, and it wasn’t until the young man who’d brought me grabbed my arm and said, 'Watch this guy!' that I realised he was acting.”

You can’t really blame Lizzo for playing to her strengths. When she started putting out records some nine years ago, there wasn’t really a niche in the market for a flute playing, twerking, positive-thinking, plus-size rapper-stroke-disco-diva.

Martin Jenkins, AKA The Head Technician, AKA Pye Corner Audio, is all about layers. From the stacked pseudonyms, to the dense, sound-steeped strata of his music, there’s lots going on.

Oy vey, life is just too short for this kind of nonsense. Katie Melua fans will have to be very dedicated indeed to get into this particular groove. Post-classical, post-rock, post whatever.

We music journos miss stuff too. This writer had not come across New Zealand-based Canadian singer Tami Neilson before, despite the fact she’s been around for over a decade and this is her sixth studio album. How did I miss her?

Pickpocket regularly makes it into the list of best films of all times. It is a film-maker’s film, more of an essay on the art of cinema and a discourse on crime than a thriller. Much French art house cinema is characterised by serious intent and intellectual rigour, and Bresson may be, more than any other auteur, the pioneer of a cinema in which reflection and thought play as much of a part as the display of narrative or emotional excitement.

Throughout the history of music, there have been plenty of artists whose ideas have been far more appealing and interesting than the way they were put into practice. The whole of the studio recorded work of the Grateful Dead and the lion’s share of the No Wave movement being cases in point.