It’s about 30 years since the ever-influential Spacemen 3 called it a day amid a storm of backbiting and recriminations. Yet in 2022, within a couple of months of each other, the band’s twin powerhouses have both released albums of their own.
Violinist and composer Ruby Colley combines elements of folk, contemporary classical and jazz with explorations and evocations of the natural world.
There’s polarising discourse and there’s polarising discourse, and then there’s Beyoncé discourse. On the one hand, there’s “the Bey Hive”: the very model of a furious modern fandom who will boost her and monster her critics at a microsecond’s notice. There are the commentators for whom everything she does is by definition profound, moral and important, regardless of any hypercapitalist excesses and hanging out with dicators’ offspring.
Over the past few years, Joe Pera Talks With You has been one of television’s joys. Each episode finds the small-town American music teacher navigating life in Upper Michigan. Unhurriedly, with good humour, he deals with the day-to-day small things. The big things are more complicated, but he finds his way. Every programme is a warm bath in goodness.
From Brighton to Berlin with the Brit School alums, who formed 20 years ago – allegedly out shopping in Primark. Virgin signed them three months later. What started as “a joke” has endured through five albums – and here comes their sixth, 10 Tracks to Echo in the Dark.
Director Mike Hodges's Get Carter (1971) has been praised as the best British gangster film. I would go even further, and put it up against the best gangster films of all time, on the same level as Lang’s The Big Heat (1953), Melville’s Le deuxième souffle (1966), Boorman’s Point Blank (1967), Polanski’s Chinatown (1974) and Scorsese’s Goodfellas (1990).
When Jamie T first appeared in the early noughties, he was trumpeted by some who should have known better as the musical heir to Joe Strummer, while actually sounding more like a Kate Nash acolyte. Six years since his last album, The Theory of Whatever dips into a range of genres from dreary indie rock to low energy hip hop and acoustic ballads fuelled by a seemingly endlesss word-spaghetti of clichés.
Throughout the 1990s and the first decade of this century, Ben Harper achieved global stardom, although the UK was a territory where he never achieved lift-off. By contrast, in the US, Australia and much of Europe, he’s regarded as a heavyweight (he’s won three Grammys!).
Kathryn Williams’ creativity leaves most singers standing. She’s always up to something and it’s usually interesting. As well as multiple albums over two decades, including one themed around Sylvia Plath and another created with the poet Carol Anne Duffy, last year she had her first novel published, the ominous island-set tale, The Ormering Tides.