Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mild

★★★ FEEL GOOD A fresh, bingeable comedy that digs deep but feels mild

Mae Martin’s dramedy about addiction is honest and enjoyable — but is it that funny?

“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit up the evidence of a past drug addiction. It smoulders in the background while she smoulders in the front.

Toni Morrison: The Pieces I Am review - a fitting tribute to a masterful storyteller

Engaging and comprehensive documentary capturing the brilliance of Morrison's work

When the Nobel Prize-winning author Toni Morrison died last year, it was a chance to celebrate the remarkable life of a storyteller who shook the literary establishment. Her work, including her debut novel The Bluest Eye, broke radical new ground in depicting African American life.

Dark Waters review - an ominous drama with plenty of backbone, but not enough flesh

★★★ DARK WATERS Ominous drama with plenty of backbone, but not enough flesh

Mark Ruffalo stars as a remarkable American hero in the latest whistleblower flick

Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so toxic that it was literally poisoning us. Dark Waters stars Mark Ruffalo as Bilott, and it functions as a dignified takedown of DuPont: the chemical giant responsible for the poison.

Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthem

★★★ TEARS FOR FEARS, SONGS FROM THE BIG CHAIR, BBC FOUR Classic Albums documentary hits the right notes, mostly

Latest BBC Classic Albums documentary hits the right notes, mostly

Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit.

Just Mercy review - soul-stirring true story about race and justice in America

Biopic retells a powerful narrative about perseverance in the face of injustice

Just Mercy, the latest film from Destin Daniel Cretton (Short Term 12), is based on a New York Times bestseller. It has a star-studded cast. It’s emotionally moving as well as intellectually accessible. But it’s no easy film to watch.

Nathalie Léger: Exposition review – mysteries, rumours and facts

★★★★ NATHALIE LEGER: EXPOSITION Mysteries, rumours and facts

A complex meditation on identity, beauty and artistic representation

Nathalie Léger’s superbly original Exposition is a biographical novel meditating on the nature of biography itself. Its plot – if indeed its 150 pages of intense reflection bordering continuously on stream of consciousness can be called a plot – is an account of the life of Virginia Oldoïni, better known as the Countess of Castiglione.

Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

★★★★ HUGH GRANT: A LIFE ON SCREEN, BBC TWO Hiding in plain sight

A clever mixture of self-deprecation and self-promotion

This charming BBC Two hagiography – which may be a contradiction in terms – opened on a montage of praise, with just a hint of irony for the hugely successful actor Hugh Grant. He was born in Hammersmith Hospital, although neither he nor his father can quite remember. He felt (he told us) that it was a kind of family tradition as about 800 of his own children have been born there since.

Robert Service: Kremlin Winter review – behind Putin's masks

Stalin’s biographer turns his attention to contemporary Russia and its enigmatic president

When U.S. president George W. Bush looked into the eyes of Vladimir Putin he famously “saw his soul”. In his latest meditation on modern Russia, Britain's top Kremlinologist Robert Service gets as close to the Russian president’s soul as may be possible in a scholarly account.

First Person: Simon Stephens - the contemplation of kindness

SIMON STEPHENS ON LIGHT FALLS The playwright introduces his new play for the Royal Exchange

A journey to the North, into the playwright's past, provides the genesis for ‘Light Falls’, opening at the Royal Exchange

Light Falls is the sixth play that I have written for the Royal Exchange theatre in Manchester and the fourth that its outgoing Artistic Director, Sarah Frankcom, will direct.