Album: Arcade Fire -WE

Canadian indie rock giant's lockdown album is heartfelt and imaginative

When the pandemic closed in, Canadian experimental indie rock troupe Arcade Fire were on the cusp of heading into the studio to record their new album. COVID had other plans. But rather than pause, the husband and wife duo of Win and Regine Butler continued to work on more songs together. As they admit, this has ended up being the longest time they’ve spent writing for an album.

The result, WE, is a concise, 40 minute LP that explores the experience of living through a pandemic: the first side is emotive and dark, tinged with isolation and fear; the latter half brighter and celebratory, about forging connections and relationships.

Opening track “Age of Anxiety I” sets the band's stall out with an epic and cinematic take on channelling the inner anxieties prevalent through society. “And the pills do nothing for me in the age of anxiety,” laments Win but musically, it’s an intoxicating elixir, propelled from a piano-led first section, built over a pulsing heartbeat synth, into synthwave-indie rock.

In these seven songs Arcade Fire take some inspiration from classical music structure, and this episodic approach means each unfolds organically. “Age of Anxiety II (Rabbit Hole)” takes the electronic baton passed to it by the opening track’s crescendo and goes further. Win and Regine alternate on vocals to give voice to a kaleidoscopic venture through synths and driving drums. The darker first side culminates in the gloomy “End of Empire I-IV” which paints vivid images of an emotionally deplete America.

But, like morning following night, the anxious and worried first side of WE is followed by positivity and hope found in reconnecting with each other. These last four songs are a sweet, soothing salve, with the first chords of “The Lightning I, II” breaking like rays of sun through a clouded sky. Appropriately, the band incorporate personal human touches to further reflect the joy of reconnecting after the lockdown: Win and Regine’s son features vocally, and Win’s mother is on the harp.

The album ends with titular track “WE”, offering a journey off to somewhere new: “I want to know WE/Want to get off this ride with me?”. It provides closure to what is a compact sojourn through different textures and soundscapes, typical of Arcade Fire’s experimental nature. While some might find the breadth of sounds overwhelming, others will be left craving more, given just how much is squeezed into only 40 minutes.

Below: Watch the video for "The Lightning I, II" by Arcade Fire

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The first side is emotive and dark, tinged with isolation and fear; the latter half brighter and celebratory

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph