Album: Goat - Oh Death

Scandinavian shamen return with a lively new ritual

share this article

It’s now six years since Goat last released an album of new songs and, despite a live disc and one of B-sides and other odds and sods that have appeared in the meantime, its Requiem title suggested that it might have been their last call to arms. However, do not fear, our favourite pagan psychedelicists are back in the ring and on top form with a lively soundtrack that is more than enough to drag even the most dancefloor phobic up on their feet to shake a leg.

Yet again, these mysterious mask-wearing Scandinavians defy any easy classification though, taking in 70s funk grooves, Afrobeat percussion, punk attitude and enough warped imagery to fry minds aplenty. For while Requiem saw the band mellowing out somewhat, Oh Death displays an incendiary and relentless raucous energy wrapped in a rule-free trip.

Opening things up with a chilling sample from one of the Evil Dead films, “Soon You Die” lays things down with a thumping fuzz-heavy reminder that we are all here for a limited time and that it shouldn’t be wasted. This sets the tone for Oh Death and hips are kept moving with the insistent Barundi beat of “Do the Dance”, the skronky sax and funky grooves of “Under No Nation”, and the head-spinning cosmic spice of “Blow the Horns”. In fact, it’s a wild ride that is guaranteed to bring a smile to anyone’s face as they inevitably surrender to its many charms, spinning and stomping along.

This isn’t to say that Oh Death is a single speed set, as “Goatmilk” slows things down somewhat while still keeping the rhythm flowing and things finally come to an end with the unsettling and disorientating “Passes Like Clouds”. In fact, Goat’s latest is a fine album that will doubtless end up being a glorious musical highlight for many sonic adventurers this year. 

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Our favourite pagan psychedelicists are back in the ring and on top form

rating

5

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album