Album: Lady Gaga - Harlequin

Surprise companion album to her new film is lively, enjoyable and in great voice

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Lady Gaga has made clear this is not her official new artist album. It’s a side project, inspired by Harley Quinn, the nom-de-chaos of the Arkham Asylum inmate she plays in Todd Phillips’ much-anticipated sequel Joker: Folie à Deux. The original Joker, deep-dipped in Seventies Scorcese aesthetics, saw DC Studios demonstrate they could take superhero fictions to exciting new places. Setting the bar higher, the new film is a musical. Judging from this album, it’s going to boast a whole heap of swingin’ jazz energy.

As a stand-alone album, it’s very much in the vein of her two albums with Tony Bennett, rather than her usual stadium cyber-pop. It contains songs featured in the film and a few that aren’t. Two of the 13-track set are Gaga originals. The rest are mostly well-known standards. The territory has been relentlessly trampled over the decades - everyone from Sinead O’Connor to Robbie Williams to Rod Stewart has had a go – but Gaga acquits herself with aplomb. Partly this is because she has a stunning voice, whether foghorn belting, gospel diva-ing or deep cabaret playful.

Sure, there are throwaway bits; Charlie Chaplin’s schmaltzy old “Smile”, a predictable easy-listening “Close to You", and a so-so “Oh, When the Saints”. None are horrid and they may well work onscreen, but they don’t show off Gaga’s unique character. Happily there’s plenty that does, notably the rockin’ Cher-goes-burlesque of “The Joker” (the Anthony Newley one, not the Steve Miller Band one!), the Gene Krupa-ish “If My Friends Could See Me Now”, the showbiz explosion of “That’s Life” and a smokey, Winehouse-y take on Dixieland gem “I’ve Got the World on a String”.

Her own songs sit easily next to well-worn classics. One is the lush waltz-time slowie “Folie à Deux”, which sounds as if it hails from a long-ago Disney princess film (albeit spiked with deliberately off-key notes), and the other is a strummed melancholic torch song, “Happy Mistake”. Lady Gaga is one of pop’s true one-off’s, often magificently so, and this outing is sprinkled with enough of her stardust.

Below: Listen to "The Joker" by Lady Gaga

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Her own songs sit easily next to well-worn classics

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