Album: Little Mix - Confetti

Sixth album from all-girl pop juggernaut breaks no new ground but has its moments

Little Mix, currently at another profile peak with their TV talent show The Search, are one of the most successful female groups ever, their tours amongst the highest earning of recent times. Like a CGI-shiny Instagram-age Spice Girls, now newly signed to RCA after years on Simon Cowell's Syco label, they offer teeth-rattling sugar-pop with a girl power motif, although Confetti, as its title suggests, is even more of a frothy frolic than usual.

The producer-songwriters on Little Mix’s sixth album are the cream of contemporary chart-pop back-roomers. They include MNEK, who first earned his stripes with Xenomania/The Saturdays, Swedish Max Martin associates Goldfingers, Little Mix regular Kamille, and fellow gold-plated London co-writing trio TMS. Between them, this lot have written multiple chart-toppers, their clients including Dua Lipa, Zara Larsson, Clean Bandit and dozens more of that ilk. The sound, then, even at its best, is never unexpected. This set could derive from any act these crews work with, albeit with the girls’ harmonized vocals compressed and cannoning out of the speakers, studio-polished to within an inch of their existence.

This isn’t to say the songs don't have legs. The best material allows space, percussive attack and low-end snap, alongside catchy choruses and X Factor-style vocal showboating. Cuts such as the bleepy, drill-ish “Sweet Melody”, the rat-a-tat dancehall bounce of “Gloves Up”, the Mark Ronson-ish disco-funk of “Holiday”, and the skipping drum & bass-flavoured title track are suitably juicy. Upon occasion, the band are no slouch in the lyrical department either, with “Sweet Melody” and “Not a Pop Song” particularly drawing attention (“This ain’t another pop song about falling in love/Or a party song about drinks’n’drugs”).

Major female pop artists, ranging from Dua Lipa to Hayley Williams, have recently tweaked their sound on albums to impressive effect, while still retaining their fanbase. Confetti is not such an album. Instead, it’s daytime Radio 1 chart-pop of exactly the kind you’d expect Little Mix to make, but it has its moments, nonetheless.

Below: Watch the video for "Sweet Melody" by Little Mix

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Even more of a frothy frolic than usual

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph