Album: Maria Somerville - Luster

Irish musical impressionist embraces shoegazing

Luster’s fifth track “Halo” has the lyric “mystical creatures… of Éirne,” referencing the Irish river and lough of the same name – both of which are associated with a mother goddess. Earlier, the album’s opener is a short, ambient-styled, scene-setting instrumental titled “Réalt,” where birds, wordless vocals and a harp are heard. Réalt translates from Irish Gaelic as “star.”

The second album, then, by the Connemara-born Maria Somerville affirms her Irish origin (the track "Corrib" is named after another lough, one located in Connemara). In contrast, Luster cleaves stylistically to a form of English, home counties-born shoegazing. Specifically, by cross-pollinating second and third album Slowdive, albeit with a lesser emphasis on electronica. There is, however, one overt excursion into the latter territory: Luster‘s beats-bedded seventh track “Stonefly”, which brings to mind the pulse of music evoking a sunrise experienced during a comedown. The vaporous Luster is, though, so assured it deftly transcends its ostensible influences.

Somerville first attracted attention in 2019 with the self-issued debut album All My People (copies now sell for £50 to £60). It was more abstract, ambient, skeletal and less lush than Luster; akin to a very stripped-down take on the early Flying Saucer Attack. On the new album, a stronger melodic sensibility suggests an immersion in traditional music – indeed, Lankum’s Ian Lynch plays uilleann pipes on the hard-edged, pulsing “Violet” and the Dublin-based Australian Margie Jean Lewis contributes folk-styled violin to the out-of-focus “Flutter.” The harp on “Réalt” is played by Róisín Berkeley. Luster’s lyrics recurrently focus on figuring out what is a projection, what is real, facing loss and how a new beginning can be found once a sense of place is secured.

Now, Somerville has been picked up by the storied 4AD label, an imprint with a solid grounding in musical impressionism. With Luster, Maria Somerville has created a sound-world which envelops like an inexorable bank of fog. Transposed to a live setting, this could be formidable.

@kierontyler.bsky.social

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
With ‘Luster,’ Maria Somerville has created a sound-world which envelops like an inexorable bank of fog

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph