Album: Motion City Soundtrack - The Same Old Wasted Wonderful World

A solid return for the emo veterans

Everyone’s favourite angsty pop-punk nerds are back, balancing new with nostalgia and synths with guitars, this is exactly what fans have been waiting for after a decade-long hiatus from the Minneapolis rockers. The Same Old Wasted Wonderful World is an album that not only continues Motion City Soundtrack’s legacy but expands on it and gives a glimpse into what the band have been focusing on in their time off. Their sound is as recognisable as ever, and the album is sprinkled with various 2000s alt-rock star collaborations just to make the nostalgia even sweeter.

Single “She Is Afraid” did a perfect job of welcoming fans back into the world of angsty lyrics disguised in a cosmic, playful onslaught of sound that the band has become known and loved for. The general feeling of being right back where they left off continues, stand out track “Bloodline” is a jet fuelled punk track with an essence of Beck in Justin Pierre’s vocal performance, “Mi Corazon” brings swagger and heavy bassline to the bands usual sound, and “Particle Physics” gives the mix of geeky, comical lyrics that fans aligned themselves with when Motion City Soundtrack were first on the scene.

“Particle Physics” is further strengthened by its feature from teen alt-rock icon Patrick Stump from Fall Out Boy, with Mat Kerekes from Citizen and Sincere Engineer joining on later tracks. “Your Days Are Numbered” featuring Mat Kerekes almost sounds like a Citizen song in itself with slow, thoughtful guitar tones anticipating crashing vocal screams, another definite highlight.

The Same Old Wasted Wonderful World is a great return for the band, it’s an emo throwback but still feels fresh and sincere.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It’s an emo throwback but still feels fresh and sincere

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph