Album: Pixies - The Night The Zombies Came

Quirky indie with a Halloween twist from legends of the genre Pixies

The ongoing trickle of quirky rock by Pixies reassuringly continues with 2024’s offering, The Night The Zombies Came. The album is the first with bassist and co-vocalist Band of Skulls’ Emma Richardson, who comfortably fits right into the existing structure of the band. There are strange, alluring lyrics, beautiful guitar hooks among nonchalant vocals, and an emotion-evoking atmosphere that will please fans with its familiarity.

The 13 track album introduces a host of unusual characters, their stories told with impressive instrumentation and poetic lyrics. “Ernest Evans” describes “the king of the god damn twist” alongside an energetic Joey Santiago riff, and “Jane (The Night The Zombies Came) leans heavily into the gothic theme of the album with a tale of “the only survivor” in a horror scene. These characters are scattered throughout the tracks and help to create the spooky concept that is clearly intended.  

Boundaries are not broken with The Night The Zombies Came, but for fans of the band there are songs that are enjoyable simply for their freshness. “Oyster Beds” stands out as a fast punk track, but the two real highlights are ballads “Chicken” and “The Vegas Suite”. Both benefit from raw vocals and soothing music that work together to create a feeling that makes you want to put them on repeat. Even some of the less exciting tracks feature lyrics and guitar moments that you want to hear again, an example being “Kings of the Prairie” which opens with a playful “If you feel forgotten, if your bacon's rotten”, reminding listeners of the effortless intelligence throughout these songs, even if they’re not as addictive as some of the bands earlier work.

The album has a purposeful eeriness that makes it interesting, it is recognisably Pixies and is a welcome addition to their discography.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The album has a purposeful eeriness that makes it interesting

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph