Album: Shaggy - Hot Shot 2020

Your nan’s favourite reggae star is back yet again with a retread of past glories

Hot Shot 2020 has been billed as a rerub of Shaggy’s colossal turn of the century release Hot Shot. It’s not quite an accurate description of an album that has already been released in three different forms and shifted nine million copies though. In fact, this version only has six tracks in common with the original and adds cover versions, re-recordings of some of Mr Boombastic's other huge hits, like “Oh Carolina” and, of course, “Boombastic”, and a few other odds and sods. However, taken on its own terms as a grab bag of Orville Burrell’s musical highlights, it hits the spot on a relaxed sunny day with a strong drink at hand.

From the original Hot Shot, there’s new versions of Shaggy’s anthem for cheating boyfriends, “It Wasn’t Me”, but with Rayvon taking the place of original sparring partner Rikrok, and pop reggae hit “Angel”, but now with Sting providing backing vocals, among other tunes. It’s all pretty predictable and inoffensive stuff, if a tad more laidback than the versions of twenty years ago. What isn’t predictable, however, are some of the cover versions on offer. These include Peter Tosh’s shout out to roots music, Rasta and smoking ganja with the Queen, “Buk-in-Hamm Palace” and a fairly faithful take on Eddy Grant’s classic, “Electric Avenue”.

Of course, there’s nothing to rock the boat on Hot Shot 2020 and this album won’t do anything to remove Shaggy from his place as the favourite reggae artist of those people that don’t really like reggae. It does take the odd playful poke at his somewhat cheesy image, however, with a cover of “Under the Sea” from Disney’s Little Mermaid and an almost anti-“It Wasn’t Me”, called “Strength of a Woman”. It’s just a pity that there couldn’t have been a bit more Peter Tosh and a bit less Sting on offer.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Taken on its own terms as a grab bag of Orville Burrell’s musical highlights, it hits the spot on a relaxed sunny day

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph