Album: The Shires - 10 Year Plan

Successful UK country duo's slick sound fails to set our reviewer on fire

Seems odd now, but there was a time when many Brits found country music laughable. It was a common thing. For instance, when Keith Richards embraced country, Jagger initially thought it a joke. By the time I was coming up in the Eighties, post-punk still a long shadow, my peers and I mostly felt the same; country was corny schmaltz dominated by middle-aged rhinestone blandness. I soon realised the error of my ways, but The Shires’ fifth album reminds me that, back then, we did also have a point.

On their debut, The Shires sang, “We can build our own Nashville underneath these grey skies.” The duo comes from Hertfordshire and Bedfordshire and their name fuses Englishness with Americana. Rather than grey skies, though, they bring a Home Counties musicality, a pristine sound intended for high-end car stereos on the daily commute. There’s bluegrass pluckin’ in there and pin-sharp harmonies too – no-one could deny the technical talent of Chrissie Rhodes and Ben Earle – but the former is submerged in M.O.R. country-rock and the latter ultra-produced until any smear of raw feeling has been polished away. Which is not to say it won't be successful. It will be. Their last three albums went Top Five.

Thematically, 10 Year Plan is summed up by a line from closing lighters-in-the-air ballad “When It Hurts”: “Real love… takes guts, to keep on fighting through the years/There’s gonna be heartache and tears for the both of us.” But there are no entertaining C&W yarns, just pleading, post-Sheeran/Capaldi solipsism. When Earle’s theatrically emoting voice sings, on “A Bar Without You”, that he could drink bourbon and wine but not enough “to get you off my mind”, it sounds more like he’d run it off down the gym after a frappuccino.

One tune, “Wild Hearts”, has a preposterous stadium kitsch, an enjoyably catchy anthem with an ironic singalong vibe akin to 1980s Bon Jovi monsters, or maybe Lady Gaga at her most outré. But that’s your lot. The rest is squeaky clean, earnest, super-produced, X Factor-ish suburbia music to be filed next to Fleetwood Mac’s Greatest Hits and brought out when the divorce case looms after Geoff runs off with Dawn from Accounts.

Below: Watch the video to "I See Stars" by The Shires

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Squeaky clean, earnest, super-produced, X Factor-ish suburbia music

rating

1

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph