Album: Stormzy - This Is What I Mean

Heartbreak and hope: the rapper, singer songwriter bares his soul on his third album

“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what I feel and document that, and whatever that is, that’s what it’s going to be.”

The 29-year-old rapper singer and songwriter, also known as Michael Omari, was talking about This Is What I Mean, his third album and, by some distance, the biggest departure, both musically and lyrically, since his incredible rise from the UK’s underground grime scene to stadium-filling stardom.

The conversation comes after listening to a, then unfinished, version of “Fire + Water”, the opening track on the new collection. Alongside the wide-open chords and a low-key jazz cloak, the overwhelming sense is one of simplicity. It’s not the first time we’ve heard Stormzy sing, of course, but it’s probably the first time it’s felt quite so central a concern. Understated and delicate, he places the notes with careful consideration. There are no runs, no trills, no acrobatics, just a man playing to his strengths and the emotional core of the song. 

Of course, given the extent to which Stormzy’s private life is seemingly public domain, the object of such heartbreak balladry is always going to be a talking point. In fairness, the rapper isn’t being coy – his heart is on his sleeve here in more ways than one. The album cover shows a handwritten envelope on a doorstep, the most public open letter in recent memory.

“Bad Blood” continues the break-up theme, with washes of synth and measured percussion carrying the whole. However sad, Stormzy’s conclusion is that love trumps loss every time, “But when you love that much it’s never love lost,” he reasons.

And that positivity carries throughout. Musically, “I Got My Smile Back” feels like a distant cousin of Michael Jackson’s “Human Nature”. Lush backing vocals recline on a bed of bass, while the lyrics speak to moving on, moving up and leaving the past in the past: “Me and suicidal thoughts, we haven't spoke for years,” Stormzy tells us in a confession that's both uncomfortable and reassuring.

Like his vocal delivery, the key to these songs’ success lies in their execution. Album closer “Give It to the Water”, sees Stormzy hand over the reins to 22-year-old singer Debbie Ehirim, whose beautifully phrased, economical delivery is perfectly suited to elevate the song from premier-league pop to something distinctly spiritual.

Similarly, R&B vocalist Tendai’s appearance on the jazzy, afro-beat influenced “Need You”, amplifies the track’s many strengths – smooth, subtle, soulful, beautiful... Which rather brings us back to where we started. 

“The mission for this album was so clear,” continues Stormzy, ensconced in his studio. “Let’s just make the most beautiful… an album that just makes you feel… we gotta just hit them in the heartstrings.”

Mission accomplished.

@jahshabby

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
There are no runs, no trills, no acrobatics, just a man playing to his strengths and the emotional core of the song

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph