Album: Teenage Fanclub‎ - Endless Arcade

Line-up changes are no obstacle to sustained excellence

A few hurdles need jumping before grappling with the essence of Teenage Fanclub’s 11th album. Endless Arcade is their first without bassist and founder member Gerard Love. He, alongside Norman Blake and Raymond McGinley, was one of the band’s songwriters. And this is their first with former Gorky's Zygotic Mynci mainstay and solo artist Euros Childs in the line-up on keyboards. Blake and Childs made the Jonny album together in 2011. Childs has recorded a fair amount of other collaborations but joining Teenage Fanclub in 2019 was a different type of commitment. Following this arrival, TFC keyboard player and guitarist Dave McGowan switched to bass.

The first album from this reconfigured Teenage Fanclub features 12 songs: six by Blake and six by McGinley. It might be possible that Endless Arcade could be like, so to speak, two-thirds of their previous albums extended across its full length. However, the seven-minute, Blake-penned lead-off cut “Home” is grounded by a mid-pace motorik chug. A surprise. Its final four minutes are instrumental, and defined by elegant, spacey guitar soloing. Not a typical album opener.

While McGinley’s songs don’t reveal the specifics of what  has inspired them, Blake’s appear to draw from personal experiences. In “Warm Embrace” he sings "dress myself from a plastic case…I long for you and your warm embrace.” Contrast this with McGinley’s “Everything is Falling Apart" where the reason for the title can’t be attributed to specifics. The perspective is expansive. However, on the sonically gleaming, Notorious Byrd Brothers-esque "The Sun Won't Shine on me", Blake is subjective: “I have lost any sense of belonging…we had a love that I thought was forever.”

Endless Arcade is a lovely album, one of Teenage Fanclub’s best. It also shows they have survived Gerard Love’s departure. Furthermore, for Blake at least, it seems to be part of dealing with a process of healing.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
One of Teenage Fanclub’s best albums, ‘Endless Arcade’ shows they have survived Gerard Love’s departure

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph