Albums of the Year 2018: Black Merlin - Kosua

The year's best celebrate different tongues and shared languages

Kosua was released only last month, but its journey began two years ago when George Thompson, aka Black Merlin, released Hipnotik Tradisi, a beautiful and captivating document of his travels through Indonesia, seamlessly blending field recordings, found sounds and studio experimentalism.

Around the same time, he was preparing for a trip to Papua New Guinea, which was to result in profound relationship with both the place and the people that inhabit it – most notably the remote Kosua tribe, whose name graces this album, available on vinyl and download, via Bandcamp. 

The bond that Thompson built with the Kosua people, and his deep affection for Papua New Guinea, provides the clearest point of difference between this project and its predecessor. Where Tradisi collects together snapshots of a place – albeit detailed, head-spinningly successful ones – the blend of sounds on Kosua feels like the work of someone immersed in a culture rather than bearing witness.

“Seane Falls Women’s Kulumba”, a recording of a multi-voice choir with a gentle percussive undertow that may, or may not, have been layered on top, is breathtaking. That Thompson chooses to present it in such an unadorned fashion says much about his determination to embed himself into a wider story rather than take centre stage.

That’s not to say that this is an overly reverent document however. There are signature Black Merlin production flourishes throughout, from the foreboding thrum of “Standing at the Summit of Bosavi”, which hangs low on the horizon – all low-end weather and potent portents, to the light-touch electronic pulse of “Talisu”, which manages to to distill the essence of combined cultures to a primal, shamanic shuffle.

Just as we stand on the verge of green-lighting dangerous isolationism, Thompson chooses to celebrate difference, while finding similarities. In this, Kosua shares common ground with another standout album of 2018, Gwenno's  Le Kov. A Cornish-language triumph of iimagination and intuitive pop nous, it was a timely lesson in how stories can be told in different tongues and still be steeped in a shared language.

Two More Essential Albums from 2018

Gwenno – Le Kov

Neneh Cherry – Broken Politics

Gig of the Year

Gwenno – Ramsgate Music Hall

Track of the Year
Audiobooks – "Dance Your Life Away" (Andrew Weatherall Remix)

@jahshabby 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
A timely lesson in how stories can be told in different tongues and still be steeped in a shared language

rating

5

explore topics

share this article

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album