CD: Beastie Boys – Hot Sauce Committee Part Two

Hip hop's oldest delinquents go back to the future

share this article

The question used to be: “Can white men rap?” A more apt variant today is, “Can white men in their middle forties with juvenile nicknames rap?” Mike D, Ad-Rock and MCA recorded Hot Sauce Committee Part Two in 2009, but then put the release on ice when MCA, aka Adam Yauch, was diagnosed with parotid gland cancer. Two years on he is on the mend and the album has been tweaked for our discerning 2011 ears.

Any changes made since 2009 have hardly been to bring the style bang up to date. From the opening Starsky soundtrack wah-wah guitar and cowbells on “Make Some Noise”, this is an album that gleefully riffles through the various golden ages of hip hop faster than you can yell “spark up the Tardis”. There’s the punky rap of “Crazy Ass Shit”, the James Brown stylings of “Funky Donkey”, the "Planet Rock" robotics of “OK” and the MC Hammer-meets-industrial-jackhammer heaviosity of “Say It”, to name four eras embraced.

But don’t panic, Hot Sauce... is way more than a nostalgia binge. The trademark comedic call-and-response vocals are in fine fettle, even though MCA's rasps sounds rougher than a truck of sandpaper. As they announce on "Long Burn the Fire", "The proof is in the pudding and the pudding's in my pants". And when the Athos, Porthos and Aramis of rhyme are joined by various versifying D’Artagnans things get even better. There’s a beautifully supple reggae groove to “Don’t Play No Game That I Can’t Win” thanks to contributions from Santigold, while Nas lends lyrical muscle to a revised “Too Many Rappers”, a single back in 2009.

This is an album that improves exponentially with every listen, the bleeps, grooves and hooks getting further and further under your skin. At an age when they could be complaining about noisy neighbours, Brooklyn’s finest are making some of the best noise of their lives.

Watch Beastie Boys' all-star 'Fight for Your Right Revisited (trailer)

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album