CD: Bullet For My Valentine - Venom

Fifth from Welsh metal furies retains their muscle and lack of flab

Bullet For My Valentine retain their fury. Last time round, on 2013’s aptly named Temper Temper, frontman Matt Tuck was snarling about substance abuse affecting his band. This time, on their fifth studio album, he claims his enraged microphone onslaught results from pondering his dead-end origins in Bridgend, Wales, and the way he was dismissed at school for being a metaller. Be that as it may, the album also reeks of torment, indignation and pure fury at a love affair turned sour.

Since splitting with bass-player Jay James earlier this year, Bullet For My Valentine’s sound is, if anything, even fuller and more rugged. Guitarist Michael Paget lets rip with squalls of guitar that ride the terrain between showy fret-wank and super-speed shredding, notably on the machine gun riffing on “Hell or High Water”. Despite Tuck’s insistence the band rejected any song that sounded vaguely poppy, they seem unable to help themselves and songs such as “The Harder The Heart” soar on roared vocal harmonies, loaded with theatrical desperation.

The over-arching impression throughout is of a wounded, even vengeful pride in the face of rejection. The title track does this most directly – “Here we go again/I don’t want another taste of your venom/I feel asphyxiated/It’s more than I can take” – but there is a flavour of it everywhere, especially on the songs “Worthless” and “Skin”. Those looking for a crowd sing-along should go straight to “You Want A Battle” which, while dosed up with the speed metal, also harks back to the likes of Alice Cooper and Twisted Sister – “You want a battle – here’s a war!”

Bullet For My Valentine have sold millions making a noise that’s a damn sight more invigorating than 90% of what’s in the contemporary charts. It’s hardly experimental, in that it follows a strict formula, but it rages with roiled emotion and has a punch that impresses.

Overleaf: Watch the video for "You Want a Battle"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The over-arching impression throughout is of a wounded, even vengeful pride in the face of rejection

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph