CD: Camera Obscura – Desire Lines

Wistful, sugary Scottish indie-popsters conjure up the spirit of '86

It says something about the commodification of modern music that Scottish poppets Camera Obscura are probably best known for "French Navy" because it is used by wine company Echo Falls on the sponsored intros to Come Dine With Me. It is a brilliantly romantic rush of a song and I tweeted that it was a shame it was linked to selling booze. Comedian/fan Josie Long, not one to condone corporate sell-outs, responded "I just think 'I hope this means you are funded enough to write your beautiful songs!'"

Well, maybe the cash-injection has helped, because the Glaswegian band has returned after four years with their fifth studio album and their muse is clearly uncompromised. Desire Lines is a thing of transcendental winsome beauty. Pop songs that shimmer and shine and evoke matelot tops and the spirit of Postcard Records, but also feel very contemporary. The Glaswegians may have taken money for booze but clearly adore pop.

Desire Lines is full of neat little nuggets. Tracyanne Campbell’s vocals dominate, managing to be both deadpan and emotionally charged. Only Tracey Thorn does this sort of thing better. "New Year's Resolution" hints at trying to keep romance alive, "Cri Du Coeur" is a heartbreak wrapped in a simple three-minute Spectoresque melody.

The album was partly recorded in Portland, with producer Tucker Martine, and if there is a development it is in the occasional Nashville twang. "Fifth in Line to the Throne" has a sleepy country swing to it, enhanced by backing vocals from Americana powerhouse Neko Case. "I Missed Your Party" has a woozy style too. There are further surprises. "Every Weekday" is Paul Simon's Graceland via Contra-era Vampire Weekend.

OK, this is not epochal stuff and if you've got the complete Belle & Sebastian back catalogue you may feel you can live without Camera Obscura. But that would be your loss. "Do It Again" – no relation to Steely Dan – shows that indie kids can be sexy and also rock out when the mood takes them, coming complete with a driving drumbeat and a quietly phallic guitar solo. I'll drink to that. 

Watch Camera Obscura perform "Do It Again"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The Glaswegians may have taken money for booze but clearly adore pop

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph