CD: Deap Vally - Femejism

Second album from LA's scuzz-blues rock duo proves their first was no flash-in-the-pan

share this article

A couple of months ago the release of “Smile More”, the first song from Deap Vally’s new album, made it clear the female Los Angeles duo hadn’t mellowed. Almost all women hate it when blokes – especially blokes they don’t know – say, “Smile, love, it might never happen.” The song is a snarling response to such inanity. “I don’t want to be your reflection,” runs the chorus, “I don’t need your direction”. And if those clunky chancers didn’t get the point: “Everybody trying to tell me what to do/It makes me want to break some shit and sniff some glue.” The song boded well.

Deap Vally’s debut, Sistronix, was one of 2013’s very finest, a storm of dirty blues riffs and raw, female “fuck you” attitude. Happily Femejism – a glorious goof of a title! – takes the best of its predecessor and, with help from co-producer Nick Zinner (of Yeah Yeah Yeahs) successfully tries a few new hats on for size. The first couple of songs make it clear Deap Vally have not changed their remit too much: “Royal Jelly” rides in on one of Lindsey Troy’s most contagiously filthy guitar riffs and bursts into a firm femme statement of intent – “If you wanna be queen bee, you’d better start hustlin’” – while “Julian” is addressed to some poor schmuck who’s made the mistake of falling in love with one of them. He's told in no uncertain terms all he’s going to get is a “dance”.

So Sistronix’s Led Zep-meets-Jack White guitar-play is present and correct, but like all great second albums Femejism gives the fanbase what they want while also pushing the sound. “Gonnawanna” initially has something of Bowie about it before becoming a punk-rap epic, “Two Seat Bike” is dipped in girl groups and glam rock, a bit Suzi Quatro, "Critic” starts as a lo-fi ballad before gradually growing into a venomous putdown of trolling bloggers, and “Bubble Baby” pulls their style apart so it’s hanging by a thread to the architecture of Julie Edwards’s astounding drumming.

There’s so much else here. Deap Vally deliver in spades. Femejism is a monster, a scorching, riff-fuelled tonic, a volley of memorable songs that let loose with unfettered rock’n’roll spirit.

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
A scorching, riff-fuelled tonic

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album