CD: The Flaming Lips: The Flaming Lips and Heady Fwends

Wayne Coyne's wigged-out band links up with some A-list kindred spirits

If there was ever an album that could be reviewed on the basis of its track titles it is this one. "Helping the Retarded to Know God", "I'm Working at NASA on Acid" and "That Ain't My Trip" sound like they have been automatically generated via some Flaming Lips Title-Generating Machine. Luckily the music, recorded with chums including Nick Cave, Yoko Ono, Ke$ha, Bon Iver and Erykah Badu and first released in limited edition outside the UK on this April's Record Store Day, does not feel quite so formulaic.

It is definitely thrilling to hear Nick Cave in playful comedy sex god mode barking out the title of his track, "You, Man? Human??" at full throttle and teasing the listener – “You can touch me if you want to... it’s ob-lig-a-tory”. Yoko Ono is rather more irritating when she speaks and squeaks the repetitive lyrics on her part-tribal, part-industrial contribution "Do It". The tunes elsewhere rock and crash about and veer from the just plain earache-inducing noisy to the sweetly melodic. Sometimes, as on "Is David Bowie Dying?", within the same track. Lips frontman Wayne Coyne sure likes to lob everything into the mix, from samples and found sounds to fuzzy psychedelic guitar like a post-punk Sun Ra.

There is nothing here that is as commercially viable as "Yoshimi Battles The Pink Robots, Part 1" or "Do You Realise??" but that was presumably never the intention. This project was recorded intermittently between live dates and does feel slightly scattershot at times, but that just adds to the overall hallucinogenic feel. At its best, such as on "Children of the Moon", which has an eerie 1970s-era Jaggeresque charm, or the warped Beefheartian take on “The First Time Ever I Saw Your Face” with Erykah Badu, this is certainly an album that will linger in the memory. Though you might want to forget about Yoko Ono's chalk-on-blackboard contribution.

 

Watch the video for "Supermoon Made Me Want to Pee"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The tunes veer from the downright earache-inducing noisy to the sweetly melodic

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph