CD: Fujiya & Miyagi – Flashback

Brighton's motorik genre hoppers make great strides forward by looking back

Over the past two decades, Brighton’s Fujiya & Miyagi have managed, without fanfare or fuss, to amass an enviable back catalogue of linear, krautrock driven grooves dresses in slinky, drop-shouldered pop melodies. 

It’s a formula that has served them well and has proved elastic enough for them to grow without it ever seeming to give at the seams. This is, in part, due to an admirable sense of simplicity that reached a peak on 2017’s self-titled near-masterpiece (in fact a compilation of three EPs). 

On Flashback, however, there is a distinctly different cut to their cloth. Certain signature signifiers remain, including David Best’s lead vocal, which is as full of plaintive humanity as ever. Here, however, it sits on a bedrock of electro-infused machine funk – and it might prove to be their best offering yet. 

While Fujiya & Miyagi’s tracks have always been an option for a grown-up dancefloor, Flashback sees them reporting for disco duty with a childlike sense of glee. As the title suggests, the album contains a certain degree of nostalgia – the eponymous opener sees Nike windcheaters zipped up against a torrent of electro beats that give movement to freeze-framed memories and long-lost feels. 

“For Promotional Use Only” and “Fear of Missing Out” are both beautifully balanced post-punk disco classics that seem to channel something akin to Shriekback covering Giorgio Moroder’s greatest hits. They, like the rest of this collection, manage to be reminiscent without being quite like anything else. Just as recollections over time, they have shifted and become other – experience multiplied by perspective. 

Nostalgic Flashback may be, but there are no misty eyes here. In fact, closing song “Gammon” is a fast, furious rant at the people whose longing for an imagined past with white picket fences for white picket people has put us on our perilous political precipice. “You clap when your flight lands/You clap at the end of films” Best intones, his flat voice perfectly poised to deliver these matter-of-fact home truths. “You google Google/you’re shouting in English at Spaniards in Spain.”  

Fujiya & Miyagi may be looking to the past for inspiration, but Flashback is a tonic for our times.

@jahshabby 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Beautifully balanced post-punk disco classics that seem to channel Shriekback covering Giorgio Moroder’s greatest hits

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph