CD: The Full English

Traditional folk on stage, CD and online

share this article

The Full English album and live tour is the stage and studio result of an ambitious project from the EFDSS (English Folk Dance and Song Society), drawing together songs from the early 20th-century collections of songhunters including Lucy Broadwood, Percy Grainger, Frank Kidson, Ralph Vaughan Williams, and Cecil Sharp.

The Full English is also a web portal, describing itself as the most comprehensive searchable database of English folk songs, tunes, dances and customs in the world. For fans of traditional songs, the newly-launched Song Collectors Collective site features living source singers, many of whose store of songs were uncovered by collector and singer extraordinaire, Sam Lee. While Lee’s project is focused on the living tradition, primarily preserved among the Traveller and Gypsy communities, The Full English draws on the rich loam of Edwardian collections, and to launch it, Fay Hield assembled the Full English band – Seth Lakeman, Martin Simpson, Fay Hield, Nancy Kerr, Sam Sweeney, concertina player Rob Harbron and double bassist Ben Nicolls – to premiere the songs at Cecil Sharp House, followed by recording sessions and a tour this autumn.

It’s a potent seven-strong line-up and the set of 12 songs opens with the grainy vocal chorale of "Awake Awake", drawing on one of English folk’s archetypal tunes and lyrical themes – betrayed love. It’s a deep cut for an opener, and the album is full of powerful sources and performances – whether it’s the dance tune, William and Nancy, Martin Simpson delivering a superlative "Creeping Jane", or Seth Lakeman leading "Portrait of My Wife". It feels stately and rich, and is a fascinating way in to the wealth of the Full English portal of songs and sources.

Listen to "The Man in the Moon"


Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The album is full of powerful sources and performances

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album