CD: Glasvegas - Euphoric /// Heartbreak \\\

Epic widescreen soundscapes from a band who want to be really big

This is the sound of a band who want to be big. Really big. Produced by Flood (The Killers, U2 etc) and recorded in California, the second outing from Scotland’s Glasvegas bursts with epic widescreen soundscapes, its chiming guitars designed to shimmer around arenas and festivals, its throbbing, pulsing synths adding depth and drama, the heavily treated voice of James Allan pleading and hollering.

Whereas last time around they sounded like The Jesus and Mary Chain, now they sound a bit like The Killers (especially on “Euphoria Take My Hand”) or like U2 (especially on “Dream Dream Dreaming”).

It’s also the sound of a band whose ambition outstrips their talent, because Glasvegas are actually just a decent band with a bunch of memorable tunes and a whole lot of the sort of “credibility” that stems from their working-class Glasgow east-end backgrounds and which goes down well with NME-reading types.

This being their second album, it also inevitably lacks the lyrical specificity of their debut; they’re rock stars now, so they can’t really do songs about social workers and young offenders and suchlike – there’s self-pity and self-loathing galore, but it’s seldom rooted in any sort of everyday reality; instead it's vague and drifty.

And it has to be said that the bigness of the thing gets in the way of the songs; it’s overwhelmed by the swirling echoey clang of Flood’s production. Flooded, in fact. There’s too much going on, especially on “Lots Sometimes”, a song that’s blessed with a terrific vocal melody but which is marred by the hyperactive thumping and rattling of new Swedish drummer Jonna Löfgren.

It’s as if Glasvegas feel obliged to live up to the hype that saw them, thanks in part to the efforts of their long-time advocate Alan McGee, described as “the most important band of the 21st century” (or words to that effect). This is a strong collection of songs, but all too often the band’s passion is dwarfed by their ambition.

Watch the video for "Euphoria Take My Hand"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph