CD: Jonathan Wilson - Fanfare

Contender for 2013’s best album could have been 1973’s best

If there’s a problem with Jonathan Wilson’s astonishing second album, it’s the potentially distracting presence of the stunningly heavy list of contributors. Those mucking in to help out include Jackson Browne, David Crosby and Graham Nash who gather alongside Mike Campbell and Benmont Tench from Tom Petty’s Heartbreakers. Former Fleet Fox Josh Tillman is on board too. But they all take a back seat to Wilson on Fanfare, the mind-blowing follow up to 2011’s Gentle Spirit.

Gentle Spirit was good, and a terrifically assured echo of LA’s early Seventies Laurel Canyon singer-songwriter scene. But it was no preparation for Fanfare. Co-opting imagery from Michelangelo's The Creation of Adam for the sleeve is extraordinarily over the top, but it is appropriate as Fanfare breathes new life at gale force into the familiar, although it’s doubtful that Wilson is God and the album is the prototype for a fresh type of spirit. There is no doubt however that he’s a zealot: workaholic Wilson has just helmed the new Roy Harper album, and has been treading the boards with the Grateful Dead’s Bob Weir.

The shape-shifting Fanfare moves between the euphoric and introspective with no effort. The sparse gives way to the dense and lush with seamless logic. Crosby Stills Nash & Young are in there. So are Dennis Wilson’s Pacific Ocean Blue, Crazy Horse and even Dark Side of the Moon-era Pink Floyd. White-lightning guitar solos evoke Quicksilver Messenger Service's John Cipollina and Country Joe & The Fish. But this would be nothing – a mere homage – without the songs. LIke his label-mate John Grant, Wilson takes his inspirations (and all those guests) and puts them to work on compositions which stand shoulder to shoulder with what he is nodding back at. This is no hoary retread. The jazzy, psychedelic, kaleidoscopic Fanfare is no less than Wilson’s counterpart to Todd Rundgren’s A Wizard, A True Star. It’s fresh and utterly un-retro. Breathing new life indeed.

Visit Kieron Tyler’s blog

Overleaf: Watch the video for “Dear Friend” from Jonathan Wilson’s Fanfare

Watch the video for “Dear Friend” from Jonathan Wilson’s Fanfare

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Using imagery from Michelangelo is over the top, but it is appropriate as 'Fanfare' breathes new life into the familiar

rating

5

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph