CD: Katy Perry - PRISM

Fourth album from pop princess ditches the bubblegum to mixed effect

share this article

While it wouldn’t have been fair to expect 100 percent authenticity from a performer whose last stage show began with her rising from a trapdoor with two giant peppermint patty pinwheels spinning over her breasts, the follow-up to Teenage Dream was never going to replicate the bubblegum formula of its predecessor. As the recent documentary Part of Me showed in heartbreaking detail, Katy Perry has had a tumultuous few years - and no amount of Scandinavian hit-factories-for-hire were ever going to paper over all of the cracks.

Still, as infectious lead single - and PRISM opening track - “Roar” proved, Perry’s in the process of picking herself up and putting her failed marriage behind her. The heartbreak is still there - the opening lines of “Ghost” pull no punches as she recalls being dumped by text message - but as empowerment anthems go “Roar” is, well, a beast. It’s certainly the most obvious choice of single from a collection that doesn’t feel as likely to produce standalone hit after standalone hit as previous albums, and is about as far removed emotionally from the album’s closing track - the piano-driven tear-jerker “By the Grace of God” - as the scheduling distance would imply.

And yet those two very different songs, in their own way, feel the most honest - even if the chronology’s a bit screwed up. They certainly connect more easily than much of what comes in between, which at best sounds like too many producers twiddling their knobs (often over lyrics as puerile as this sentence) and at worst an incoherent mess. “Legendary Lovers” mixes Bhangra-style beats with lyrics full of so many mantras and blooming lotuses the whole thing is almost offensive; “Walking on Air” is a forgettable throwback to 90s house; and rapper Juicy J’s guest verse turns the otherwise interesting “Dark Horse” into something ridiculous. Other genre-mashing experiments fare better though: the disco-infused “Birthday” is quite good fun, if you can stop cringing at the lyrics; “Unconditionally” is a decent enough power ballad; and “This is How we Do” salutes California Gurls grown up and out too late with cute call-outs and an almost-charming fake fade.

Overleaf: watch the video for lead single "Roar"

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
As empowerment anthems go 'Roar' is, well, a beast

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album