CD: Kesha - Rainbow

Kesha's comeback is full of vim and studded with gems which bode well for the future

share this article

For the last four years US pop superstar Kesha has had a huge but miserable media presence. Her bitterly fought court battle to be released from her contract with producer/alleged Svengali Dr Luke, which involved allegations of abuse and sexual assault, created reams of headlines and social media conjecture, but gave the lie to the notion that “all publicity is good publicity”. And there’s been almost no music in that interim. Now, however, minus the dollar sign that used to make up the “s” in her name, Kesha returns with all guns blazing, and the best of her third album takes the listener by surprise.

The mood of Rainbow is righteous fury, as might be expected. On the three opening tracks, this works brilliantly. The album’s opening lines, on the stadium-acoustic “Bastards”, are “Got too many people that I’d like to prove wrong/All these motherfuckers been too mean for too long”, and she doesn’t stint on the swearing from thereon. “Let ‘Em Talk” is an Avril Lavigne–style plastic punker and the cuss-crazed, Stax-on-speed “Woman” comes on like a rabid Amy Winehouse, courtesy of The Dap Kings’ horn section.

Kesha, however, also has a penchant for cheese and power ballads. Sometimes this works, as on the space-pop “Hymn”, but sometimes it’s less successful, as on the ultra-epic “Praying”. Dolly Parton pops in for the country waltz “Old Flames (Can’t Hold a Candle to You)” and Kesha let’s her hair down for a glam stomp on the “Monster Mash”-meets-Sweet “Boogie Feet”, but the best material arrives when she doesn’t curb her innate eccentricity.

There’s plenty of country flavour on Rainbow and it works well, from the kooky, albeit faintly stalker-ish “Hunt You Down” to the jolly, Eartha Kitt-goes-electro canter of “Boots”. The album’s closing tracks, the child-like, preposterous “Godzilla” and the excellent, five-minute cosmic strum of “Spaceship”, showcase a woman whose talent is only just starting to truly shine. In fact, turn this album into an EP of its best six or seven cuts and it would be 5/5 material, because Rainbow is a smart, sassy, well-calibrated return to the fray.

Overleaf: Watch the video for "Woman" by Kesha

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The mood of 'Rainbow' is righteous fury, as might be expected

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album