CD: Kylie Minogue – Kylie Christmas

A festive album that captures all the unbridled joy of the day after Boxing Day

Searching for artistic merit in most Christmas albums is a bit like looking for allegory in a Cliff Richard calendar. Under the sheen of one-size-fits-all production that’s necessary to compete in as wide a market as possible come the annual bunfight for plastic tat, pretty much everything is reduced to sounding like a nicely wrapped fancy box of nothing.

That said, expectations are there to be confounded, so lets open Kylie Christmas and see what we’ve got…

We’re covering disappointment straight from the off. As we smile sweetly and say “Thanks”, “It’s the Most Wonderful Time of the Year” practically limps out of the speakers. Having a pop at it feels like putting Tiny Tim through a work capability assessment. Still, let’s push on – there might be surprises in store.

And indeed there are – the duets. “Santa Claus Is Coming to Town” featuring Frank Sinatra (who seems to have gamely rallied himself from death), a cover of The Waitresses’ 1981 hit “Christmas Wrapping” with Iggy Pop, and “Only You” with James Corden. Yep. You read that right. James Corden. “Only You”, of course, isn’t a Christmas song and features here, I suspect, because it could easily be the soundtrack to a tear-jerking John Lewis advert about a lonely child who has lost a favourite toy. Iggy Pop, meanwhile, mumbles his way through proceedings with all the natural cadence of someone trying to dub a Japanese animated film.

It doesn’t ever pick up from there to be honest, not even with “Every Day’s Like Christmas”, which was written by Coldplay’s Chris Martin. Now, you know how, when you’re cycling or (I imagine) driving, there are those occasions when you suddenly pull up short and think, “I have no idea what just happened for those last two miles”? This song is those two miles. A bit of your life that happened, but is lost to you for ever.

I don’t want to sound churlish, it’s a Christmas album. I want to be full of good cheer. However I can’t escape the fact that the only bit of the festive spirit Kylie’s successfully encompassed here is the ad breaks during Downton.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Having a pop at Kylie Christmas feels like putting Tiny Tim through a work capability assessment

rating

2

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph