CD: Marius Neset & Trondheim Jazz Orchestra - Lion

Norwegian saxophone virtuoso challenges Trondheim's collective with large-scale compositions

Norwegian saxophonist Marius Neset is not yet 30, and he already has several acclaimed albums with smaller forces to his increasingly neon-lit name. With this release of new and adapted work for 12-piece big band, he sets out to work on a larger (and notoriously complex) canvas. It’s intense, dramatic and finely wrought, with numerous changes of style and direction.

Some tracks are adapted from two previous albums, Birds and Golden Xplosion; others are original. The lion theme is everywhere: the Nordic blonde Neset himself, his gleaming sax over one shoulder; the brassy, golden sound of the orchestra (superb throughout); the fearlessly carnivorous approach to other musical genres. Ironically, the title track “Lion” is the least leonine, musically, moving from a luscious, fluttering opening statement to a joyous and multifaceted musical debate, all sides of the band throwing riffs at one another over some fiendishly subtle rhythm from the drums and Petter Eldh’s bass.

Apart from the new “Lion”, however, the adaptations are the most interesting, with the greatest dramatic movement and variety of musical texture. “Golden Xplosion” opens with an athletic saxophone duo, before exploding into fast-running brass rhythm and Nymanesque piano, over which Neset’s tenor fires phrases of exhilarating, somersaulting virtuosity. A couple of the middle tracks couldn’t quite live up to these high dramatic standards, but there was flawless playing, beautiful textures and some breathtakingly skilful arranging to be heard everywhere.

Neset was a pupil of Django Bates at Copenhagen’s Rhythmic Music Conservatory, and that influence is to the foremost, especially in the complexity of the rhythmic constructions. In places, Neset gives the impression of seeing Bates’ style as simply his starting point, and his exploration of orchestral textures is notable.     

Finally, the excellence of Trondheim’s music-making, and its dependence on Norway’s enlightened dispersal of its petrodollars, should be noted. For similar money as maintains the TJO, other oil-rich nations have bought a Manchester City substitute’s leg.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The lion theme is everywhere

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph