CD: Michael Bublé - To Be Loved

There's enough Ol' Blue Eyes schtick left for those who wish to wallow

share this article

It’s too obvious just to take the Canadian charm-monkey down in a bile-fest, so where to begin? He looks a bit peaky on the album cover and peakier still on the first page of the CD insert booklet (not that anyone under 40 listens to CDs). He’s lost weight. He used to be chubbier with a hint of that blank-eyed M.O.R.-damaged look which Daniel O’Donnell perfected and which grannies adore. Bublé was never just a geriatric sex daydream, though. His easy, TV chat-show demeanour is beloved of a much wider range of women, young and old. There, rather than his music, lies the secret of his success.

Bublé says his eighth album is about “love, happiness, fun and yummy things”. A 37-year-old man shouldn’t use those last two words. In truth, much of To Be Loved is Sinatra fun, a total retread but unworthy of bile, just frothy, versions of material such as “You Make Me Feel so Young” and “Something Stupid”, the latter a duet with Reese Witherspoon. There’s a dose of doo-wop too, an acoustic sally at the Eddie Cochran number “Have I Told You Lately That I Love You” (with New York acappella outfit Naturally 7) and the 1960s Bee Gees tune “To Love Somebody”. At its best, as on the sassy Latin “Come Dance With Me”, To Be Loved reminds of a cheesy Disney musical, with Bublé as a louche Prince Charming sort. There’s even a cover of Randy Newman’s “You’ve Got a Friend in Me” from Toy Story.

Unfortunately, the album's also spiked with horrors such as the hideous FM treacle of “After All”, which features that totem of commuter belt awfulness, Bryan Adams. It’s one of four songs Bublé co-wrote, alongside the current single “It’s a Beautiful Day”, which sounds like someone grinning themselves to death in a toothpaste advert in Hell. Then again, to end positively, you don’t have to hose off the sleaze-slime after Bublé like, say, Chris Brown. So that’s a plus.

Watch Bublé's congenial and pleasant album trailer

Comments

Permalink
The above 'writing' doesn't strike this reader as constituting anything close to an album review... Perhaps, you might garner a niche market/readership on the web (and by extention an economic bump) if you could provide content of merit and meaning... Certainly, you site should be able to do better than this token effort... P

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
His current single sounds like someone grinning themselves to death in a toothpaste advert in Hell

rating

2

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album