CD: Ondatrópica - Ondatrópica

A monument to some of the most innovative, timeless dance music on the planet

English producer Will "Quantic" Holland has brilliantly captured the sound of this Colombian big band who came together solely to make an album that represents the best of Colombian tropical music past and present. For capturing is all you really have to be able to do when the standard of musicianship is so high and the sheer joy of playing so apparent.

Colombian styles such as cumbia, gaita, porro and champeta (“ondatrópica” is the overarching name for these styles) are all well represented but not in a dull, archival way. Every track is taut and springy with life and buoyed up by both new up-and-coming talents as well as the established stars of the 1960s/70s who were at the centre of this golden age of great dance music.

Recorded in the legendary Disco Fuentes studios (where many of the tracks they wished to pay homage to were also recorded) using only analogue equipment to achieve maximum warmth and presence, it must have felt like a matter of patriotic duty to all concerned that they got it right. And it’s gratifying to report that they did get it right. In part because, fortunately, Holland and his co-conspirator, band leader Mario Galeano, were wise enough to keep overtly contemporary elements to a minimum. This effectively means that although one senses 21st-century sensibilities at work here, there are no tracks that are going to sound horribly dated in five years' time.

Over two CDs (or three vinyl albums, should that be your format of choice) an almost physically palpable carnival of brass, accordion, impassioned vocals and percussion blazes like it’s 1966. Everyone involved should be proud of themselves for creating this towering monument to some of the most exciting, innovative and timeless dance music on the planet. See them for yourself at the Hackney Empire on the 20 July supported by Ghanaian funk outfit KonKoma.

Enjoy an Ondatrópica album teaser

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
An almost physically palpable carnival of vocals, brass, accordion and percussion blazes like it’s 1969

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph